Oil On
Canvas, Real Flavor of Old Masters
|
Edgar Degas
|
||||
|
|
||||
| French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues. | ||||
|
|
||||
|
Melancholy Edgar Degas41.jpg Painting ID:: 844 |
1874 7 x 10in (19 x 25cm) Phillips Collection, Washington DC | ||
|
|
||||
|
Domenico Fetti
|
||||
|
|
||||
| Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful. | ||||
|
|
||||
|
Melancholy new9/Domenico Fetti-555833.jpg Painting ID:: 33582 |
mk86 c.1620 Oil on canvas 168x128cm Paris,Musee National du Louvre | ||
|
|
||||
|
Domenico Fetti
|
||||
|
|
||||
| Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful. | ||||
|
|
||||
|
Melancholy new16/Domenico Fetti-967255.jpg Painting ID:: 40424 |
mk156 c.1620 Oil on canvas 171x128cm | ||
|
|
||||
|
Marie Bracquemond
|
||||
|
|
||||
| French Impressionist Painter, 1840-1916 .was a French Impressionist artist described by Gustave Geffroy in 1894 as one of the "le trois grandes dames" of Impressionism alongside Berthe Morisot and Mary Cassatt.However, her often omission from books on women artists indicate the success of her husband, F??lix Bracquemond, in his campaign to thwart her development as an artist. | ||||
|
|
||||
|
melancholy new20/Marie Bracquemond-556777.jpg Painting ID:: 56173 |
mk247 1801,oil on canvas,51.125x64.875 in,130x165 cm,musee de picardie,amiens,france | ||
|
|
||||
|
Constance Marie Charpentier
|
||||
|
|
||||
| (born 1767 Paris, France - August 3, 1849 France) was a French painter. She specialized in sentimental genre scenes and portraits, mainly children and women. She was also known as Constance Marie Bondelu. She studied under Jacques-Louis David and Francois Gerard. In 1788 she received a 'Prix d'Encouragement.' From 1795 to 1819 she exhibited at the Salon where she received a gold medal. | ||||
|
|
||||
|
Melancholy new24/Constance Marie Charpentier-796833.jpg Painting ID:: 75163 |
1801 Oil on canvas 130 X 165 cm (51.18 X 64.96 in) cjr | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |