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unknow artist
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Clytie new21/unknow artist-683534.jpg Painting ID:: 63088 |
1680s Marble, under life-size Galleria di Palazzo Reale, Genoa Parodi created a remarkable set of four statues for the garden of the Palazzo Durazzo in Genoa. Drawn from Ovid's Metamorphoses, his figures were conceived as pairs and shared an appropriately horticultural theme of flowers: one pair featured Clytie and Hyacinth, who were beloved of Apollo and changed into flowers after their death. The interest here is very much the process of transformation - Clytie into a sunflower, Hyacinth into the flower that bears his name. Although the subject matter is somewhat unusual, Parodi's models are even more remarkable, for he has adapted them from late works by Bernini in an entirely different context. Clytie is a witty parody of the master's Truth from his unfinished Truth Unveiled, and her sunflower is derived from the sun held by Bernini's figure, but Hyacinth follows the unexpected example of the Angel with the Superscription from the Ponte Sant'Angelo in Rome, an intensely spiritual meditation that could hardly seem less appropriate. Artist: PARODI, Filippo Painting Title: Clytie , 1651-1700 Painting Style: Italian , sculpture Type: mythological | ||
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Frederick Leighton
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| 1830-1896 He was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was born in Scarborough to a family in the import and export business. He was educated at University College School, London. He then received his artistic training on the European continent, first from Eduard Von Steinle and then from Giovanni Costa. When in Florence, aged 24, where he studied at the Accademia di Belle Arti, he painted the procession of the Cimabue Madonna through the Borgo Allegri. He lived in Paris from 1855 to 1859, where he met Ingres, Delacroix, Corot and Millet. Flaming JuneIn 1860, he moved to London, where he associated with the Pre-Raphaelites. He designed Elizabeth Barrett Browning's tomb for Robert Browning in the English Cemetery, Florence in 1861. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878?C96). His 1877 sculpture, Athlete Wrestling with a Python, was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as the New Sculpture. His paintings represented Britain at the great 1900 Paris Exhibition. Icarus and DaedalusLeighton was knighted at Windsor in 1878, and was created a baronet eight years later. He was the first painter to be given a peerage, in the New Year Honours List of 1896. | ||||
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Clytie new24/Frederick Leighton-433335.jpg Painting ID:: 79236 |
1895 - 1896 Medium ? Dimensions 156 x 137 cm cyf | ||
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Frederic,lord leighton,p.r.a.,r.w.s
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| 1830-1896 English painter and sculptor. He studied in Florence. His first exhibited picture, which showed Cimabue's Madonna being carried through the streets of Florence, was purchased by Queen Victoria in 1855. Leighton was president of the Royal Academy from 1878 until his death. | ||||
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Clytie new24/Frederic,lord leighton,p.r.a.,r.w.s-796956.jpg Painting ID:: 80019 |
1895 - 1896 Medium ? Dimensions 156 x 137 cm cyf | ||
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