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Domenichino
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| 1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle. | ||||
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The Assumption of Mary Magdalen into Heaven new3/Domenichino-563845.jpg Painting ID:: 29227 |
mk65 Oil on canvas 51x43" | ||
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Domenichino
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| 1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle. | ||||
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The Assumption of Mary Magdalen into Heaven new9/Domenichino-932988.jpg Painting ID:: 33559 |
mk86 c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage | ||
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Domenichino
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| 1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle. | ||||
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The Assumption of Mary Magdalen into Heaven new20/Domenichino-298649.jpg Painting ID:: 55724 |
mk244 c.1617-1621 Oil on canvas 129x100cm | ||
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