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BROEDERLAM, Melchior
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| Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy. | ||||
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Annunciation and Visitation new12/BROEDERLAM, Melchior-843723.jpg Painting ID:: 40156 |
mk156 1394-99 Tempera on panel 167x125cm | ||
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BROEDERLAM, Melchior
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| Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy. | ||||
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Annunciation and Visitation new12/BROEDERLAM, Melchior-422333.jpg Painting ID:: 40157 |
mk156 1394-99 Tempera on panel 167x125cm | ||
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unknow artist
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Annunciation and Visitation new21/unknow artist-865796.jpg Painting ID:: 64048 |
1525 Oil on oak panel, 99 x 33 cm (each) Groeninge Museum, Bruges The Mannerist tendency in the old duchy of Brabant (Antwerp-Brussels), had some points of contact with the more sedate Bruges style. It is not always clear, however, whether a particular work was painted by Bruges masters who had settled in Antwerp or in Bruges itself. Alongside the pure Antwerp and Bruges styles, a kind of Bruges-Antwerp fusion can be distinguished, symbolizing the growing attraction of the rising metropolis. The wings with the Annunciation and Visitation are examples of this mixed style. , Artist: UNKNOWN MASTER, Flemish , Annunciation and Visitation , 1501-1550 , Flemish , painting , religious | ||
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