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Painting ID::  133
Venus and Mars
National Gallery, London


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Sandro Botticelli Venus and Mars oil painting reproduction

   
 

 

 
   
      


Painting ID::  3702
Venus and Mars
1605-10 Museum of Art, Sao Paolo


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Carlo Saraceni Venus and Mars oil painting reproduction

   
 

 

 
   
      


Painting ID::  26972
Venus and Mars
c 1483 London National Gallery (mk57)


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Sandro Botticelli Venus and Mars oil painting reproduction

   
 

 

 
   
      


Painting ID::  26974
Venus and Mars
c 1483 detail of Mars and satyr with breastplate London National Gallery. (mk57)


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Sandro Botticelli Venus and Mars oil painting reproduction

   
 

 

 
   
      


Painting ID::  33389
Venus and Mars
mk86 c.1480 Tempera on wood 69x174cm London,Ntional Gallery


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Sandro Botticelli Venus and Mars oil painting reproduction

   
 

 

 
   
      


Painting ID::  33404
Venus and Mars
mk86 c.1498 Oil on wood 72x182cm London Natinal Gllery


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Piero di Cosimo Venus and Mars oil painting reproduction

   
 

 

 
   
      


Painting ID::  42881
Venus and Mars
mk170 Circa 1485 Tempera and oil on poplar 69.2x173.4cm


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Sandro Botticelli Venus and Mars oil painting reproduction

   
 

 

 
   
      

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
Venus and Mars
mk170 Circa 1485 Tempera and oil on poplar 69.2x173.4cm

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