Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  25055
The Birth of Venus (mk36)
1484-1485 whole and details Florence,Galleria degli Uffizi

Sandro Botticelli The Birth of Venus (mk36) oil painting reproduction


   
 

 

 
   
      


Painting ID::  25056
The Birth of Venus (mk36)
1484-1485 Details of Venus'face.Florence,Galleria degli Uffizi

Sandro Botticelli The Birth of Venus (mk36) oil painting reproduction


   
 

 

 
   
      


Painting ID::  25059
The Birth of Venus (mk36)
1484-1485 Whole and details. Florence,Galleria degli Uffizi

Sandro Botticelli The Birth of Venus (mk36) oil painting reproduction


   
 

 

 
   
      


Painting ID::  25060
The Birth of Venus (mk36)
1484-1485 Detail of Venus, Florence,Galleria degli Uffizi

Sandro Botticelli The Birth of Venus (mk36) oil painting reproduction


   
 

 

 
   
      


Painting ID::  25062
The Birth of Venus (mk36)
1484-1485 details of the Hour holdijng out to Venus a flowery red mantle. Florence,Galleria degli Uffizi

Sandro Botticelli The Birth of Venus (mk36) oil painting reproduction


   
 

 

 
   
      

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
The Birth of Venus (mk36)
1484-1485 details of the Hour holdijng out to Venus a flowery red mantle. Florence,Galleria degli Uffizi

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