Steve Art Gallery LLC
USA Oil Painting Reproduction


Painting ID::  34432
mk93 c.1630 Oil on panel 13 1/2x9 5/8in Mauritshuri,The Hague

REMBRANDT Harmenszoon van Rijn Andromeda oil painting reproduction




Painting ID::  45802
mk185 1918 Oil on canvas 100x81.1cm

Felix Vallotton Andromeda oil painting reproduction




Painting ID::  84129
Date ca. 1638(1638) Medium Oil on oak Dimensions Height: 189 cm (74.4 in). Width: 94 cm (37 in). cjr

Peter Paul Rubens Andromeda oil painting reproduction




Painting ID::  91014
1869(1869) Medium oil on canvas Dimensions 172.7 x 256.5 cm (68 x 101 in) cyf

Gustave Dore Andromeda oil painting reproduction




Gustave Dore
(French pronunciation: January 6, 1832 - January 23, 1883) was a French artist, engraver, illustrator and sculptor. Dore worked primarily with wood engraving and steel engraving. Dore was born in Strasbourg and his first illustrated story was published at the age of fifteen. His skill had manifested itself even earlier, however. At age five he had been a prodigy troublemaker, playing pranks that were mature beyond his years. Seven years later, he began carving in cement. Subsequently, as a young man, he began work as a literary illustrator in Paris, winning commissions to depict scenes from books by Rabelais, Balzac, Milton and Dante. In 1853, Dore was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated English Bible. A decade later, he illustrated a French edition of Cervantes's Don Quixote, and his depictions of the knight and his squire, Sancho Panza, have become so famous that they have influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. Dore also illustrated an oversized edition of Edgar Allan Poe's "The Raven", an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883. Dore's English Bible (1866) was a great success, and in 1867 Dore had a major exhibition of his work in London. This exhibition led to the foundation of the Dore Gallery in Covelant Bond Street. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Dore signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Dore was mainly celebrated for his paintings in his day. His paintings remain world renowned, but his woodcuts and engravings, like those he did for Jerrold, are where he really excelled as an artist with an individual vision. The completed book, London: A Pilgrimage, with 180 engravings, was published in 1872. It enjoyed commercial and socioeconomical success, but the work was disliked by many contemporary critics. Some of these critics were concerned with the fact that Dore appeared to focus on the poverty that existed in parts of London. Dore was accused by the Art Journal of "inventing rather than copying." The Westminster Review claimed that "Dore gives us sketches in which the commonest, the vulgarest external features are set down." The book was a financial success, however, and Dore received commissions from other British publishers.
1869(1869) Medium oil on canvas Dimensions 172.7 x 256.5 cm (68 x 101 in) cyf

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| The Cafe Royal (mk06) | Holy Family with St Catherine | The Annunciation |


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