Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  55663
Theology
mk243 1508

RAFFAELLO Sanzio Theology oil painting reproduction


   
 

 

 
   
      


Painting ID::  55667
Theology
mk243 1507 16x44cm

RAFFAELLO Sanzio Theology oil painting reproduction


   
 

 

 
   
      


Painting ID::  63796
Theology
1509-11 Fresco, diameter 180 cm Stanza della Segnatura, Palazzi Pontifici, Vatican Theology's veil is white, her cloak green, and her dress red, the colours of the theological Virtues (Faith, Hope, and Charity). She is holding a book in her left hand and is pointing with her right hand at the fresco of the Disputa below. Two putti are holding blue tablets with the golden inscriptions Divinar, Rer and Notitia ("Knowledge of Divine Things").Artist:RAFFAELLO Sanzio Title: Theology (ceiling tondo) Painted in 1501-1550 , Italian - - painting : religious

RAFFAELLO Sanzio Theology oil painting reproduction


   
 

 

 
   
      


Painting ID::  64799
theology
se

Raphael theology oil painting reproduction


   
 

 

 
   
      

Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
theology
se

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