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Painting ID::  522
Deposition
Galleria Nazionale, Parma

Correggio Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  9853
Deposition
1435-40 Oil on panel. Museo del Prado Madrid, Spain

Rogier van der Weyden Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  7245
Deposition
c. 1435 Oil on oak panel, 220 x 262 cm Museo del Prado, Madrid

WEYDEN, Rogier van der Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  30410
Deposition
mk68 Oil on oak Madird

Roger Van Der Weyden Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  30485
Deposition
mk68 Oil on wood Florence Church of Santa Felicita c.1528 Italy

Jacopo Pontormo Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  31634
Deposition
mk74 158.5x184.3cm Parma Galleria Nazionale

Correggio Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  32865
Deposition
mk84 1520-25 Madrid

Machuca, Pedro Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  33254
Deposition
mk83 c.1525

Pontormo, Jacopo Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  33258
Deposition
mk83 c.1430-1440

Fra Angelico Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  33291
Deposition
mk83 1521

Rosso Fiorentino Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  33499
Deposition
mk86 1521 Oil on wood 333x195cm Volterra Pinacoteca Comunale

Rosso Fiorentino Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  33500
Deposition
mk86 c.1526-1528 Oil on wood 313x192cm Florence,Santa Felicita,Cappella Bardori

Pontormo Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  40183
Deposition
mk156 c.1435 Oil on panel 220x262cm

Rogier van der Weyden Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  40329
Deposition
mk156 1525-28 Oil on panel 313x192cm

Pontormo, Jacopo Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  52087
Deposition
1437-40 Tempera on wood, 176 x 185 cm

Fra Angelico Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  55936
Deposition
1435-40,oil on oak panel,86.5x102.125 in,220x262 cm,museo del prado,madrid,spain

Rogier van der Weyden Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  58531
Deposition
Deposition

Gerard David Deposition oil painting reproduction


   
 

 

 
   
      

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GOSSAERT, Jan (Mabuse)

Flemish Northern Renaissance Painter, ca.1478-1532

Painting ID::  63100
Deposition
1510-20 Oil on canvas transferred from wood, 141 x 106,5 cm The Hermitage, St. Petersburg The picture shows an early example of the works of Romanist painters (Northern artists influenced by Italian renaissance painting). Artist: GOSSAERT, Jan (Mabuse) Painting Title: Deposition , 1501-1550 Painting Style: Flemish , , religious
Flemish Northern Renaissance Painter, ca.1478-1532
GOSSAERT, Jan (Mabuse) Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  63632
Deposition
1512 Engraving, 117 x 74 mm Metropolitan Museum of Art, New York Sheet No. 13 of the Engraved Passion. In this case the engraved and woodcut version can be easily compared. Both were executed at about the same time. One is the most complicated, the other the simplest solution. In the engraving some of the dignity is sacrificed by the complicated overlappings, as in the case of Christ's body. The woodcut version of the Small Passion was difficult to surpass in the engraving. D?rer decided to use the tomb as seen from the front, making for the interesting overlappings. The gentle dignity of the woodcut version was, however, lost. It is not quite clear which one of the praying women is the Virgin Mary.Artist:D?RER, Albrecht Title: Deposition (No. 13) Painted in 1501-1550 , German - - graphics : religious

Albrecht Durer Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  63942
Deposition
1460 Oil on oak panel, 57 x 52 cm Alte Pinakothek, Munich With the body of Christ still on the Cross high above the scene, this picture, presumably painted in Brussels, shows the Deposition in a more traditional way than Rogier's famous version (Prado, Madrid). On the right are the centurion who recognized the Son of God, and his followers; it is not clear which of the two figures in the foreground is actually the centurion, since they are both making gestures that would be suitable for him. The artist who painted this small Deposition used figures from Rogier van der Weyden's great painting for the body of Christ and for Nicodemus, and drawing on other works by Rogier van der Weyden and by the Master of Flemalle for the remaining figures. The group of the Virgin and St John, for instance, was taken from the Seven Sacraments Altarpiece (Museum of Fine Arts, Antwerp). However, the painter of this Deposition fails to unite the groups of figures successfully. The small panel of the Deposition, certainly not painted before the middle of the century, seems to have found its way quite early to southern Germany, where parts of it were already being copied in 1465 (Hof Altarpiece by Hans Pleydenwurff in the Alte Pinakothek, Munich). Like the composition of the Descent from the Cross, probably of roughly the same date, it is a relatively early example of the work of independent artists who picked up ideas from Rogier, imitating his style as best they could. , Artist: UNKNOWN MASTER, Flemish , Deposition , 1451-1500 , Flemish , painting , religious

unknow artist Deposition oil painting reproduction


   
 

 

 
   
      


Painting ID::  83671
Deposition
oil on Canvas. Date XVII cyf

MOLYN, Pieter de Deposition oil painting reproduction


   
 

 

 
   
      

MOLYN, Pieter de
English-born Dutch Baroque Era Painter, 1595-1661 Dutch painter, draughtsman and etcher of English birth and Flemish descent. His father, Pieter de Molijn, came from Ghent and his mother, Lynken van den Bossche, from Brussels. It is not known why they went to England, perhaps for employment rather than to avoid religious persecution. Pieter the younger apparently remained proud of his birthplace throughout his life
Deposition
oil on Canvas. Date XVII cyf

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