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USA Oil Painting Reproduction

 
 


Painting ID::  3649
St George and the Dragon
1606-07 Museo del Prado, Madrid

Peter Paul Rubens St George and the Dragon oil painting reproduction


   
 

 

 
   
      

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NOTKE, Bernt

German Sculptor, ca.1440-1509

Painting ID::  8700
St George and the Dragon
1487 Painted wood Storkyrkan, Stockholm
German Sculptor, ca.1440-1509
NOTKE, Bernt St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  32237
St George and the Dragon
1721 Gilt stucco

ASAM, Egid Quirin St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  33375
St George and the Dragon
mk86 c.1455 Tempera on canvas 57x74cm London,National Gallery

UCCELLO, Paolo St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  33501
St George and the Dragon
mk86 c.1550-1560 Oil on canvas 157x100cm London,National Gallery

Tintoretto St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  39712
St George and the dragon
mk150 c.1515 134.5x116cm

Leonhard Beck St George and the dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  51222
St George and the Dragon
1505-06 Oil on wood, 28.5 x 21.5 cm

RAFFAELLO Sanzio St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  58199
St George and the Dragon
St George and the Dragon, 1510, Alte Pinakothek, oil on parchment, 28 x 23 cm

Albrecht Altdorfer St George and the Dragon oil painting reproduction


   
 

 

 
   
      

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NOTKE, Bernt

German Sculptor, ca.1440-1509

Painting ID::  62413
St George and the Dragon
1487 Painted wood Storkyrkan, Stockholm This sculptor and painter, whose presence at L?beck is documented from 1467 onwards, is the greatest medieval artist from the Hanseatic region. Notke is traditional in his feeling for complex composition, but a vigorous innovator in the individual qualities that he brings to the concentration of action and of figures. This terrifying confrontation of Heaven and Hell is his greatest achievement. One of the numerous works that he carved for Scandinavian towns, it was commissioned by the Swedish authorities for the national sanctuary to commemorate the victory over the Danes at Brukeberg on St. George's Day, 1471
German Sculptor, ca.1440-1509
NOTKE, Bernt St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  62816
St George and the Dragon
1811 Oil on wood, 28 x 21 cm Stedelsches Kunstinstitut, Frankfurt Pforr's short life was overshadowed by illness and depression and this is evident in this painting. The combatants are self-sufficient, in a way that is quite out of keeping with a struggle; only the large and penetrating eye of the horse takes up contact with the viewer. This is a fight without effort, as if the knight were dreaming his own experience in a lethargy remote from time

Franz Pforr St George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  88546
St George and the Dragon
1811(1811) Medium Oil on wood cyf

Franz Pforr St George and the Dragon oil painting reproduction


   
 

 

 
   
      

Franz Pforr
German 1788-1812 He received his earliest training from his father, the painter Johann Georg Pforr (1745-98), and his uncle, the art professor and first inspector of the painting gallery in Kassel, Johann Heinrich Tischbein the younger (1742-1808). In 1805 he became a student at the Akademie der Bildenden Kenste in Vienna, which was dominated by the severe Neo-classicism of its director, Heinrich Feger; he was taught by Hubert Maurer (1738-1818), Franz Cauzig (1762-1828) and Johann Martin Fischer. During the war with France in 1805, Pforr volunteered as a guard in the Vienna militia. He suffered a nervous breakdown, brought on by the conflict between his passionate longing for a contemplative life and a desire to see military action. He probably turned to religion to help sustain his mental equilibrium. In 1806 he resumed his academic studies and, believing himself destined to become a battle painter, made numerous drawings of historical battles, for example his still schoolish and baroquely composed Wallenstein in the Battle of L?tzen (1806; Frankfurt am Main, Stedel. Kstinst. & St?dt. Gal.). However, it was not until 1807, with Drawing with Twelve Travel Sketches (Frankfurt am Main, Stadt- & Ubib.), that he first began to overcome his beginner style and to develop his own. This resulted in reduced detail, simplified continuous contours, a structuring by means of planar rather than illusionistic criteria, a new clarity of vision and a chastened balance between nature and artistic conception.
St George and the Dragon
1811(1811) Medium Oil on wood cyf

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