Painting ID:: 62291
Portrait of a Man 1586-90 Oil on cardboard, 7,9 x 5,7 cm The Hispanic Society of America, New York Work by El Greco in small format, which includes miniatures, small-scale religious paintings and reduced versions of larger compositions, is well documented from the time of his residence in Italy onwards. Yet this interesting portrait miniature remains one of the few known in his oeuvre. It bears an original signature on the back
Painting ID:: 62338
Portrait of a Man 53 x 47 cm Metropolitan Museum of Art, New York This painting was identified for long time as a self-portrait and as such it became one of El Greco's most famous portraits. However, lacking certified portraits of the artist, the identification is only a plausible hypothesis based on the resemblance of the sitter to other figures in El Greco's paintings that have also been thought to record the artist's features. There are several assumed self-portraits of the artist included in his compositions from the early Healing of the Blind to the Burial of Count Orgaz, then to the Pentecost, Marriage of the Virgin and the Adoration of the Shepherds. Regardless of the identification of the sitter, this is a fine and particularly compelling portrait by the artist, with the features painted with great sensitivity. The canvas has been trimmed on all sides. The signature on the painting proved to be false and was removed in 1947. Author: GRECO, El Title: Portrait of a Man , 1551-1600 , Spanish Form: painting , portrait
Painting ID:: 63537
Portrait of a Man 1474 Oil on wood, 32 x 26 cm Staatliche Museen, Berlin The painting is one of the portraits which were famed for their realism. Due to his knowledge of Flemish pictures, the painter had made a decisive contribution to the spreading and perfection in Italy of what was at that time the new medium of oil painting, and normally depicted figures in three quarter life-size as statue-like half-length portraits in front of a barrier. As in this portrait, the face is particularly emphasized by the dark background and simple headgear, with the eyes directed straight at the observer.Artist:ANTONELLO da Messina Title: Portrait of a Man Painted in 1451-1500 , Italian - - painting : portrait
Painting ID:: 63545
Portrait of a Man 1504 Oil on panel, 43 x 29 cm Museum of Fine Arts, Budapest D?rer's paintings include altarpieces, religious pictures and some outstanding portraits. Although he began by working in the German late Gothic tradition, D?rer was to introduce the Renaissance to Germany with his pure compositions in which the sure touch of the draughtsman is always evident. With his workshop and followers he marked out the lines of development of the new style for later years. This small picture - a portrait of a youth, painted in brilliant, warm colours - is sometimes ascribed to D?rer's pupils (Hans S?ss von Kulmbach or Hans Baldung Grien). Some scholars believe to recognize in the sitter D?rer's brother Andreas; however the smooth features and simple attire hardly provide enough clues for identifying the sitter. However, a silverpoint drawing by D?rer in the Albertina Collection in Vienna shows the same model in a similar pose, clearly indicated in the inscription as Endres D?rer, the painter's younger brother
Painting ID:: 63547
Portrait of a Man 1634 Oil on canvas, 82,5 x 70 cm Museum of Fine Arts, Budapest The painting is dated at the bottom right part as "AETAT SVAE 28 / AN 1634
Painting ID:: 63856
Portrait of a Man 1455-60 Oil on oak panel, 32 x 22,8 cm Thyssen-Bornemisza Collection, Madrid The man, who is of middle age, has not been identified. The fashion in which his hair is cut corresponds roughly to the style worn by Francesco d'Este (Metropolitan Museum of Art, New York), which would suggest that the two pictures are close in date.Artist:WEYDEN, Rogier van der Title: Portrait of a Man Painted in 1401-1450 , Flemish - - painting : portrait
Painting ID:: 63878
Portrait of a Man 1450 Oil on panel, 75 x 50 cm Koninklijk Museum voor Schone Kunsten, Antwerp This portrait is probably a copy from c. 1500 of an original by Rogier van der Weyden which, judging by the fashion of the clothes, was executed around or shortly after the middle of the century. An unusual feature is the elegant low neck, which makes the face seem small. Possibly this, like the clock, and the inscriptions reminding the viewer of the transience of life, was a deviation from the original.Artist:WEYDEN, Rogier van der Title: Portrait of a Man Painted in 1401-1450 , Flemish - - painting : portrait
Painting ID:: 72871
Portrait of a Man Date between 1400(1400) and 1499(1499)
Medium tempera and Oil on poplar
Dimensions 47.9 X 33 cm (18.86 X 12.99 in)
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Painting ID:: 80394
Portrait of a Man Portrait of a Man, possibly Hans of Antwerp. Oil and tempera on oak, 61 x 46.8 cm, Royal Collection, Windsor Castle
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Painting ID:: 83530
Portrait of a Man Date between 1650(1650) and 1653(1653)
Medium Oil on canvas
Dimensions Height: 84.7 cm (33.3 in). Width: 67 cm (26.4 in).
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Painting ID:: 84585
Portrait of a Man Date between 1520(1520) and 1525(1525)
Medium Oil on wood
Dimensions Height: 83 cm (32.7 in). Width: 72 cm (28.3 in).
cjr Italian High Renaissance Painter, 1484-1562
Painting ID:: 84692
Portrait of a Man Date first half of 17th century
Medium Oil on wood
Dimensions Height: 71.5 cm (28.1 in). Width: 54.5 cm (21.5 in).
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Painting ID:: 85335
Portrait of a Man Date between 1630(1630) and 1633(1633)
Medium Oil on canvas
Dimensions Height: 75 cm (29.5 in). Width: 58 cm (22.8 in).
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Painting ID:: 85859
Portrait of a Man Date between 1512(1512) and 1514(1514)
Medium Oil on poplar
Dimensions Height: 115 cm (45.3 in). Width: 94 cm (37 in).
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Painting ID:: 91522
Portrait of a Man first half of 17th century
Medium Oil on canvas on panel
Dimensions Height: 66 cm (26 in). Width: 50 cm (19.7 in).
cyf
Painting ID:: 92022
Portrait of a Man between 1478(1478) and 1480(1480)
Medium oil on oak panel
Dimensions Height: 31.8 cm (12.5 in). Width: 27.1 cm (10.7 in).
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Painting ID:: 92318
Portrait of a Man between 1528(1528) and 1530(1530)
Medium oil on panel
Dimensions Height: 52 cm (20.5 in). Width: 42 cm (16.5 in).
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Frans Hals 1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular. Portrait of a Man 1634
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