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USA Oil Painting Reproduction

 
 


Painting ID::  640
Adam and Eve
1531 Staatliche Museen, Berlin

Lucas  Cranach Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  10074
Adam and Eve
1432Oil on wood St. Bavon, Ghent, Belgium.

Jan Van Eyck Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  29100
Adam and Eve
mk65 1897 Oil on canvas 43x31"

Hans Thoma Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  29937
Adam and Eve
mk67 Oil on panel 69 5/16x59 1/16in Pitti,Palatine Gallery
c.1517-70, Flemish painter
Frans Floris de Vriendt Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  40299
Adam and Eve
mk156 1507 Oil on panel

Albrecht Durer Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  40874
Adam and Eve
mk156 1909 Oil on canvas 162x131cm

Suzanne Valadon Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  42333
Adam and Eve
mk168 252x195mm

Albrecht Durer Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  45410
Adam and Eve
mki186 1598 Antwerp, Rubenshuis

Peter Paul Rubens Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  56507
adam and eve
mk247 1917 to 18,oil on canvas,17.5x23.625 in,173x60 cm,osterreichische galerie belvedere,vienna,austria

Gustav Klimt adam and eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  56692
adam and eve
mk247 c.1550,oil on canvas,59x86.5 in,150x220 cm,gallerie dell-accademia,venice,ltaly

Tintoretto adam and eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  56697
adam and eve
mk247 c.1530,oil on wood,private collection

CRANACH, Lucas the Elder adam and eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  57108
Adam and Eve
mk252 paper board painting 30 x 35 cm in 1517

Hans Holbein Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  58705
Adam and Eve
Adam and Eve, by Albrecht D??rer (1507).

Albrecht Durer Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  62378
Adam and Eve
1376-78 Fresco Baptistry, Cathedral, Padua Author: GIUSTO de' Menabuoi Title: Adam and Eve (detail) , 1351-1400 , Italian Form: painting , religious

GIUSTO de  Menabuoi Adam and Eve oil painting reproduction


   
 

 

 
   
      

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GOSSAERT, Jan (Mabuse)

Flemish Northern Renaissance Painter, ca.1478-1532

Painting ID::  63046
Adam and Eve
1520 Oil on panel, 168,9 x 111,4 cm Royal Collection, Windsor This theme occurs at least nine times in Mabuse's painted and graphic oeuvre, but none of these renderings is dated. On grounds of style, however, the present painting would seem to have been undertaken after the Neptune and Amphitrite of 1516 (Berlin, Staatliche Museen) or the Hercules and Deinara of 1517 (Birmingham, Barber Institute of Fine Arts), and to have preceded the Adam and Eve dating from around 1525 (Berlin, Staatliche Museen). In general terms, as his career developed, Mabuse evolved compositions of greater complexity characterised by a repertoire of contorted poses with exaggerated anatomy and a vivid treatment of chiaroscuro. At the same time his technique became altogether freer. The Adam and Eve in the Royal Collection may date from around 1520. Mabuse refers to a number of prints for the poses of Adam and Eve: D?rer's Adam and Eve of 1504, Jacopo de' Barbari's Mars and Venus and Marcantonio Raimondi's Adam and Eve after Raphael. The pose of Eve is perhaps more specifically related to D?rer's engraving known as The Dream of the Doctor, particularly the upper part of the body. Mabuse had visited Italy in 1508-9 and became a prime exponent of Northern Mannerism, a style that evolved principally from the cross-fertilisation of German and Italian art. Quite apart from the large scale of the painting, the prominence of the foreground figures is still further enhanced by the sudden drop down to the middle-ground, dominated by a fountain set in the Garden of Eden. Fanciful architecture of this kind is frequently found in Mabuse's work. He was also a remarkably fine painter of the nude. The treatment of the musculature may not be to modern taste, but it was undoubtedly inspired by classical sculpture. The handling of the hair, especially Eve's long tresses, which may have influenced Milton, was a speciality of the artist. Supplementing the narrative of The Fall as recounted in the second and third chapters of Genesis is a certain amount of symbolism, which is illustrated in Mabuse's work: the two trees represent the Tree of Life and the Tree of Good and Evil, while the plants in the immediate foreground (columbine and sea holly) probably symbolise the contrasting emotions of the fear of God and the lust experienced by Adam and Eve in the Garden of Eden. Adam wears an apron of leaves, but Eve is still technically naked. Mabuse was concerned to paint an epitome of the theme and was therefore disposed to take liberties with the biblical text. This painting was presented by the States-General of Holland to Charles I in 1636. It was sold in 1650 after the death of Charles I, but was recovered at the time of the Restoration. It has been suggested that John Milton, who was appointed Latin Secretary to Cromwell's Council of State in 1649, may have seen the work before it was sold, since the description of Adam and Eve in Paradise Lost (Book 4, lines 300-18) is fairly close. Artist: GOSSAERT, Jan (Mabuse) Painting Title: Adam and Eve , 1501-1550 Painting Style: Flemish , , religious
Flemish Northern Renaissance Painter, ca.1478-1532
GOSSAERT, Jan (Mabuse) Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  63661
Adam and Eve
1504 Pen drawing with watercolours, 242 x 201 mm The Pierpont Morgan Library, New York D?rer prepared his masterly engraving of Adam and Eve in numerous individual studies. This pen drawing was created immediately before the copper engraving and concentrates entirely on the depiction and three-dimensional structure of the male and female nudes. The body posture of the two figures shown here is already identical down to the last detail with that of the copper engraving.Artist:D?RER, Albrecht Title: Adam and Eve Painted in 1501-1550 , German - - graphics : study

Albrecht Durer Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  63804
Adam and Eve
1509-11 Fresco, 120 x 105 cm Stanza della Segnatura, Palazzi Pontifici, Vatican This portrayal of the Fall is generally attributed to Raphael. Standing in a distinct contrapposto pose, Eve recalls the figure of Leda in a study by Leonardo da Vinci - Raphael made a drawing of this while he was in Florence.Artist:RAFFAELLO Sanzio Title: Adam and Eve (ceiling panel) Painted in 1501-1550 , Italian - - painting : religious

RAFFAELLO Sanzio Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  75451
Adam and Eve
1507(1507) 209 X 81 & 209 X 83 cm cjr

Albrecht Durer Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  77333
Adam and Eve
Français : tableau Dimensions 209 ?? 81 & 209 ?? 83 cm cyf

Albrecht Durer Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  86079
Adam and Eve
1538(1538) Medium Oil on linden Dimensions 49 x 39 cm (19.3 x 15.4 in) cyf

Lucas  Cranach Adam and Eve oil painting reproduction


   
 

 

 
   
      

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Jan Gossaert Mabuse

1478-1534 Flemish Jan Gossaert Mabuse Galleries

Painting ID::  86254
Adam and Eve
Date c. 1525(1525) Medium Oil on oak panel Dimensions Height: 170 cm (66.9 in). Width: 114 cm (44.9 in). cjr
1478-1534 Flemish Jan Gossaert Mabuse Galleries
Jan Gossaert Mabuse Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  86418
Adam and Eve
Date after 1537(1537) Medium Oil on linden Dimensions Height: 171 cm (67.3 in). Width: 63 cm (24.8 in). (each) cjr

Lucas Cranach the Younger Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  87785
Adam and Eve
1517(1517) Medium Oil on paper mounted on wood cyf

Hans holbein the younger Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  88512
Adam and Eve
1897(1897) Medium English: Oil on Canvas cjr

Hans Thoma Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  90705
Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm (44.3 x 60.6 in) cyf

Jacob Jordaens Adam and Eve oil painting reproduction


   
 

 

 
   
      


Painting ID::  98047
Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm cyf

Jacob Jordaens Adam and Eve oil painting reproduction


   
 

 

 
   
      

Jacob Jordaens
Flemish Baroque Era Painter, 1593-1678 Jacob Jordeans was born on May 19, 1593, the first of eleven children, to the wealthy linen merchant Jacob Jordaens Sr. and Barbara van Wolschaten in Antwerp. Little is known about Jordaens's early education. It can be assumed that he received the advantages of the education usually provided for children of his social class. This assumption is supported by his clear handwriting, his competence in French and in his knowledge of mythology. Jordaens familiarity with biblical subjects is evident in his many religious paintings, and his personal interaction with the Bible was strengthened by his later conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. After eight years of training with Van Noort, he enrolled in the Guild of St. Luke as a "waterscilder", or watercolor artist. This medium was often used for preparing tapestry cartoons in the seventeenth century. although examples of his earliest watercolor works are no longer extant. In the same year as his entry into the guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. In 1618, Jordaens bought a house in Hoogstraat (the area in Antwerp that he grew up in). He would then later buy the adjoining house to expand his household and workspace in 1639, mimicking Rubens's house built two decades earlier. He lived and worked here until his death in 1678. Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made many efforts to study prints or works of Italian masters available in northern Europe. For example, Jordaens is known to have studied Titian, Veronese, Caravaggio, and Bassano, either through prints, copies or originals (such as Caravaggio's Madonna of the Rosary). His work, however, betrays local traditions, especially the genre traditions of Pieter Bruegel the Elder, in honestly depicting Flemish life with authenticity and showing common people in the act of celebratory expressions of life. His commissions frequently came from wealthy local Flemish patrons and clergy, although later in his career he worked for courts and governments across Europe. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter. Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob. Like Rubens and other artists at that time, Jordaens' studio relied on his assistants and pupils in the production of his paintings. Not many of these pupils went on to fame themselves,however a position in Jordaens's studio was highly desirable for young artists from across Europe.
Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm cyf

Related Paintings::.
| Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk45) | Emperor s speech | Portrait of Sophia Magdalena of Denmark |


        
 
   
 

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