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USA Oil Painting Reproduction

 
 


Painting ID::  20034
Portrait of a Man (mk05)
Wood 22 1/2 x 15 1/4''(57 x 39 cm)Entered the Louvre in 1882

Sandro Botticelli Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      


Painting ID::  20075
Portrait of a Man (mk05)
1475 Wood 14 1/4 x 12''(36 x 30 cm)Entered the Louvre in 1865

Antonello da Messina Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      


Painting ID::  20076
Portrait of a Man (mk05)
Wood 13 x 10 1/4''(33 x 26 cm)Entered the Louvre in 1902

Giovanni Bellini Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      


Painting ID::  20158
Portrait of a Man (mk05)
Wood,30 x 23 1/2''(76 x 60 cm).Acquired from the Duc de Richelieu by Louis XIV in 1665

FRANCIABIGIO Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      

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Giovanni di

active 1310-1347 in Siena

Painting ID::  20224
Portrait of a Man (mk05)
Canvas,37 1/2 x 30 1/4''(95 x 77 cm)Early collection
active 1310-1347 in Siena
Giovanni di Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      


Painting ID::  20394
Portrait of a Man (mk05)
1658 Wood,26 1/2 x 22''(67 x 56 cm).Received in 1910

Jan de Bray Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      


Painting ID::  20620
Portrait of a Man (mk05)
Canvas 36 x 28 1/4''(91 x 72 cm)Acquired in 1806

Philippe de Champaigne Portrait of a Man (mk05) oil painting reproduction


   
 

 

 
   
      

Philippe de Champaigne
1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
Portrait of a Man (mk05)
Canvas 36 x 28 1/4''(91 x 72 cm)Acquired in 1806

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