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USA Oil Painting Reproduction

 
 


Painting ID::  1644
St.George and the Dragon
1560 National Gallery, London

Jacopo Robusti Tintoretto St.George and the Dragon oil painting reproduction


   
 

 

 
   
      

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Paolo Ucello

1395-1475 Italian Paolo Ucello Gallery

Painting ID::  3225
St.George and the Dragon
National Gallery, London
1395-1475 Italian Paolo Ucello Gallery
Paolo Ucello St.George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  3313
St.George and the Dragon
1504-06 11 1/8" x 8 3/8" The National Gallery of Art, Washington DC

Raphael St.George and the Dragon oil painting reproduction


   
 

 

 
   
      

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Giovanni Sodoma

1477-1549 Giovanni Sodoma Galleries

Painting ID::  3803
St.George and the Dragon
1518 The National Gallery of Art, Washington DC
1477-1549 Giovanni Sodoma Galleries
Giovanni Sodoma St.George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  29213
St.George and the Dragon
mk65 Oil on canvas 48x36"

Jacopo Tintoretto St.George and the Dragon oil painting reproduction


   
 

 

 
   
      

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SANO di Pietro

Italian Early Renaissance Painter, 1406-1481

Painting ID::  55953
St.George and the Dragon
mk247 c.1440-70,tempera on panel,museo diocesano,siena,ltaly
Italian Early Renaissance Painter, 1406-1481
SANO di Pietro St.George and the Dragon oil painting reproduction


   
 

 

 
   
      


Painting ID::  56023
st.george and the dragon
mk247 c.1558,oil on canvas,62x39.5 in,157.5x100.3 cm,national,gallery,london,uk

Tintoretto st.george and the dragon oil painting reproduction


   
 

 

 
   
      

Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
st.george and the dragon
mk247 c.1558,oil on canvas,62x39.5 in,157.5x100.3 cm,national,gallery,london,uk

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| Supper Time | Girl Reclining | Portrait of Christian VII of Denmark |


        
 
   
 

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