Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  2598
Christ and the Adulteress
1530-35 Musee du Louvre, Paris

Lorenzo Lotto Christ and the Adulteress oil painting reproduction


   
 

 

 
   
      


Painting ID::  77379
Christ and the Adulteress
Date 1559(1559) Medium Oil on wood Dimensions Width: 177 cm (69.7 in). Height: 122 cm (48 in). cyf

Pieter Aertsen Christ and the Adulteress oil painting reproduction


   
 

 

 
   
      


Painting ID::  80733
Christ and the Adulteress
Date ca. 1525-1528 Medium Oil on canvas cjr

Palma il Vecchio Christ and the Adulteress oil painting reproduction


   
 

 

 
   
      


Painting ID::  84918
Christ and the Adulteress
1525-1528 Medium Oil on canvas cyf

Palma il Vecchio Christ and the Adulteress oil painting reproduction


   
 

 

 
   
      


Painting ID::  92557
Christ and the Adulteress
Oil on panel, 55 x 44 cm TTD

Garofalo Christ and the Adulteress oil painting reproduction


   
 

 

 
   
      

Garofalo
1481-1559 Italian Garofalo Gallery Italian painter. Active mainly in Ferrara and the district around the Po delta, he was one of the most outstanding figures in Emilian classicism during the first half of the 16th century. In 1497 Garofalo father paid Boccaccio Boccaccino to teach his son the rudiments of painting. Garofalo first works were directly influenced by the Cremonese painter, to whom they were formerly even attributed. They consist of a series of small paintings depicting the Virgin and Child. The example in the Ca d Oro in Venice must have been Garofalo first painting and reveals not only the lessons learned from Boccaccino, but also signs of the influence of Domenico Panetti (c. 1460-before 1513), traditionally recorded as his first master. Another Virgin and Child (Assisi, Perkins priv. col.) shows signs of the early influence of Lorenzo Costa the elder, while the example in the Nationalmuseum, Copenhagen, shows a similarity with the early works of his contemporary, Lodovico Mazzolino. A particularly important project in Ferrara during the earliest years of the 16th century, involving numerous highly skilled artists, was the fresco decoration of the oratory of the Concezione. The frescoes (Ferrara, Pin. N.) represent a significant development in the city art. Garofalo hand has been identified in the Presentation in the Temple, in which he reveals a familiarity not only with local art, but also with the high points of Bolognese classicism, whose greatest exponents were Francesco Francia and Lorenzo Costa the elder. Around 1505, Garofalo works show a close familiarity with artistic developments in Bologna, in particular the mature style of Costa and the decoration in 1505-6, by Francesco Francia, Costa, Aspertini and others, of the oratory of S Cecilia in S Giacomo Maggiore. Garofalo Virgin Enthroned between SS Martin and Rosalia (Florence, Uffizi), created for Codigoro Cathedral, should be seen within this context, whereas the small altarpiece for the Arcivescovado, Ferrara, although executed at the same time, shows early, if faint, signs of the influence of Venetian painting of the period.
Christ and the Adulteress
Oil on panel, 55 x 44 cm TTD

Related Paintings::.
| Self-portrait | One of the Family | Fruit Displayed on a Stand |


        
 
   
 

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