Spanish painter (b. ca. 1626, Burgos, d. 1666, Madrid)
Painting ID:: 62365
Ecce Homo 98 x 75 cm Museum of Fine Arts, Budapest This painting shows the influence of Van Dyck, both the colours and the composition is close to the Flemish Baroque painting. However, its pathos and sentimentality relate it to contemporary Spanish religious painting Spanish painter (b. ca. 1626, Burgos, d. 1666, Madrid)
Painting ID:: 62415
Ecce Homo 1560-70 Polychrome wood Diocesan Museum, Valladolid One of the more interesting foreign artists who worked in Spain during the second third of the sixteenth century is the Frenchman Juan de Juni, whose sculpture is noted for its spirituality, manifested in full and beautiful forms, natural in their proportions but declamatory in their distortion of gesture. Juni may have been trained in Italy, since his art shows evidence of contact with the Lombard Renaissance and Michelangelo. In about 1533 he appears in Le?n but by 1541 he was settled in Valladolid. Several of his works deserve individual mention, among them the retables in Valladolid and Burgo de Osma cathedrals, and the Entombment in Segovia cathedral, dating from 1571, which combines figures on the same theme forming part of another Entombment, preseved in the Museum in Valladolid
Italian painter (b. ca. 1475, Milano, d. 1515, Pavia).
Painting ID:: 63556
Ecce Homo Panel Accademia Carrara, BergamoArtist:SOLARI, Andrea Title: Ecce Homo Painted in 1501-1550 , Italian - - painting : religious Italian painter (b. ca. 1475, Milano, d. 1515, Pavia).
Painting ID:: 94793
Ecce Homo 1605
Type Oil on canvas
Dimensions 128 cm ?? 103 cm (50 in ?? 41 in)
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Caravaggio Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe. Ecce Homo 1605
Type Oil on canvas
Dimensions 128 cm ?? 103 cm (50 in ?? 41 in)
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