Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  3302
The Entombment
Galleria Borghese, Rome

Raphael The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  10026
The Entombment
1450Distemper on flax canvas, 90,2 x 74,3 cm National Gallery, London

Dieric Bouts The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  33574
The Entombment
mk86 c.1602-1604 Oil on canvas 300x203cm Rome,Musei Vaticani,Pinacoteca Vaticana

Caravaggio The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  34264
The Entombment
mk91 ca.1523 Oil on canvas transferred from a panel 32x26.5

PARMIGIANINO The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  40975
The Entombment
mk159 1480s Tempera and oil on panel 94x182cm

unknow artist The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  42964
The Entombment
mk170 1497-1498 Oil on wood 161.7x149.9cm

Michelangelo Buonarroti The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  52078
The Entombment
c. 1516 Oil on wood, 70,5 x 37,3 cm

Albrecht Altdorfer The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  55754
The entombment
mk244 300x203cm Oil on canvas Rome

Caravaggio The entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  56044
the entombment
mk247 1602 to 04 ,oil on canvas,118x80 in,300x203 cm,pinacteca vaticana,vatican city,ltaly

Caravaggio the entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  62299
The Entombment
1670-73 Painted and gilt wood Hospital de la Caridad, Seville The Brotherhood of Charity, the Caridad, as it is known, was one of Seville's major lay confraternities. It was founded in 1565 with the mission of providing a decent burial for paupers. From 1663 the charitable activities were expanded to provide care for the needy sick, and a hospital was built, simultaneously enlarging and renovating the already existing chapel. The scheme for the decoration of the chapel is a tripartite exposition of Christian charity as the way of salvation. The first part comprises two memorable paintings by Vald?s Leal, demonstrating the futility of earthly pursuits and honours. A life devoted to accumulating wealth, power, and even learning is shown to lead only to the grave. Charity, which constitutes the second part of the program, provides the way to salvation, as seen in the seven acts of mercy, six of which are depicted by Murillo; the seventh, burying the dead, the Caridad's foundation charity, is embodied in a sculptural group, the Entombment of Christ by Pedro Rold?n, placed in the altarpiece. The third component consists of two paintings by Murillo for lateral altars, depicting St Elizabeth of Hungary and St John of God, both illustrating the efficacy of good works and the necessity of personal participation in charitable deeds. The picture shows a detail of Rold?n's Entombment group. In seventeenth-century Spain the economic crisis had the effect of intensifying religion and bringing it closer to the people. Spanish sculpture of this period, nearly always in brightly coloured wood, treated the various figures of the Passion singly, in isolation, with the devoutness of a miracle play, thus bringing about an unexpected return to the cultural atmosphere of the Middle Ages. Rold?n's sculptural group is an example of this style

Harold  Gilman The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  62391
The Entombment
1602-03 Oil on canvas, width of detail: 30 cm Pinacoteca, Vatican The detail shows the head of Mary

Caravaggio The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  82481
The Entombment
1516(1516) Medium Oil on wood cyf

Albrecht Altdorfer The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  86948
The Entombment
Date between 1611(1611) and 1612(1612) Medium Oil on wood Dimensions Height: 88 cm (34.6 in). Width: 66 cm (26 in). cjr

Peter Paul Rubens The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  91667
The Entombment
between 1611(1611) and 1612(1612) Medium oil on panel Dimensions Height: 88 cm (34.6 in). Width: 66 cm (26 in). cyf

Peter Paul Rubens The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  92742
The Entombment
between 1523(1523) and 1526(1526) Medium oil on canvas Dimensions Height: 148 cm (58.3 in). Width: 205 cm (80.7 in). cjr

Titian The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  97087
The Entombment
1507(1507) Medium oil on panel cyf

Raphael The Entombment oil painting reproduction


   
 

 

 
   
      


Painting ID::  97088
The Entombment
1507(1507) Medium oil on panel cyf

Raphael The Entombment oil painting reproduction


   
 

 

 
   
      

Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
The Entombment
1507(1507) Medium oil on panel cyf

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| Thomas Howard,Earl of Arundel | Der Loing in Moret | Lydia at the Tapestry Loom |


        
 
   
 

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