Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  3659
The Three Graces
1636-38 Museo del Prado, Madrid

Peter Paul Rubens The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  28715
The Three Graces
mk61 c.1636-1638 Oil on canvas 221x181cm

Peter Paul Rubens The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  28880
The Three Graces
mk65 Oil on canvas 18 11/16x13 3/4in Pitti,Palatne Gallery

Peter Paul Rubens The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  30568
The Three Graces
mk68 Oil on wood, Madrid,Prado. c.1638 Netherlands

Peter Paul Rubens The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  33670
The Three Graces
mk86 1639 Ol on canvas 221x181cm Madrid,Museo del Prado

Peter Paul Rubens The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  36676
The three Graces
mk113 1912 102.3x63.3cm

Delaunay, Robert The three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  36677
The three Graces
mk113 1912 190x140cm

Delaunay, Robert The three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  36678
The three Graces
mk113 1911-1912 Oil on canvas 100x81cm

Delaunay, Robert The three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  37656
The Three Graces
mk127 18x22
British 1890-1920
Emile Vernon The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  44777
THe Three Graces
mk176 c.100 marble Paris

unknow artist THe Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  44846
The Three Graces
mk176 c.100 marble

unknow artist The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  67883
The Three Graces
Year 1604(1604) Technique Oil on canvas Dimensions 209.7 X 138.6 cm

Hans von Aachen The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  71806
The Three Graces
Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.

Baron Jean-Baptiste Regnault The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  87643
The Three Graces
Date 1535(1535) Medium Oil on wood Dimensions Height: 50.5 cm (19.9 in). Width: 35.7 cm (14.1 in). cjr

Lucas Cranach The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  92449
The Three Graces
oil on panel TTD

Lucas Cranach the Elder The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  96283
The Three Graces
after 1638 Medium oil on canvas Dimensions 220 X 175 cm (86.6 X 68.9 in) cyf

FURINI, Francesco The Three Graces oil painting reproduction


   
 

 

 
   
      


Painting ID::  98263
The Three Graces
1541-1544 Medium oil on board Dimensions 151 x 61 cm cyf

Hans Baldung Grien The Three Graces oil painting reproduction


   
 

 

 
   
      

Hans Baldung Grien
German 1485-1545 Hans Baldung Grien Galleries The earliest pictures assigned to him by some are altar-pieces with the monogram H. B. interlaced, and the date of 1496, in the monastery chapel of Lichtenthal near Baden-Baden. Another early work is a portrait of the emperor Maximilian, drawn in 1501 on a leaf of a sketch-book now in the print-room at Karlsruhe. "The Martyrdom of St Sebastian and the Epiphany" (Berlin Museum), fruits of his labour in 1507, were painted for the market-church of Halle in Saxony. Baldung's prints, though D??reresque, are very individual in style, and often in subject. They show little direct Italian influence. His paintings are less important than his prints. He worked mainly in woodcut, although he made six engravings, one very fine. He joined in the fashion for chiaroscuro woodcuts, adding a tone block to a woodcut of 1510.[1] Most of his hundreds of woodcuts were commissioned for books, as was usual at the time; his "single-leaf" woodcuts (ie prints not for book illustration) are fewer than 100, though no two catalogues agree as to the exact number. He was extremely interested in witches and made many images of them in different media, including several very beautiful drawings finished with bodycolour, which are more erotic than his treatments in other techniques. Witch and Dragon. Drawing with bodycolour (b/w repro)Without absolute correctness as a draughtsman, his conception of human form is often very unpleasant, whilst a questionable taste is shown in ornament equally profuse and baroque. Nothing is more remarkable in his pictures than the pug-like shape of the faces, unless we except the coarseness of the extremities. No trace is apparent of any feeling for atmosphere or light and shade. Though Gr??n has been commonly called the Correggio of the north, his compositions are a curious medley of glaring and heterogeneous colours, in which pure black is contrasted with pale yellow, dirty grey, impure red and glowing green. Flesh is a mere glaze under which the features are indicated by lines. (1911) His works are mainly interesting because of the wild and fantastic strength which some of them display. His Eve, the Serpent and Death (National Museum of Canada) shows his strengths well. We may pass lightly over the "Epiphany" of 1507, the "Crucifixion" of 1512, or the "Stoning of Stephen" of 1522, in the Berlin Museum. There is some force in the "Dance of Death" of 1517, in the museum of Basel, or the Madonna of 1530, in the Liechtenstein Gallery at Vienna. Gr??n's best effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power which Martin Schongauer bequeathed to the Swabian school. As a portrait painter he is well known. He drew the likeness of Charles V, as well as that of Maximilian; and his bust of Margrave Philip in the Munich Gallery tells us that he was connected with the reigning family of Baden, as early as 1514. At a later period he had sittings from Margrave Christopher of Baden, Ottilia his wife, and all their children, and the picture containing these portraits is still in the grand-ducal gallery at Karlsruhe. Like D??rer and Cranach, Gr??n became a hearty supporter of the Reformation. He was present at the diet of Augsburg in 1518, and one of his woodcuts represents Luther under the protection of the Holy Ghost, which hovers over him in the shape of a dove.
The Three Graces
1541-1544 Medium oil on board Dimensions 151 x 61 cm cyf

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