Painting ID:: 62940
Portrait of a Young Man 1469 Tempera on panel, 51 x 33,7 cm Galleria Palatina (Palazzo Pitti), Florence Botticelli painted this portrait in a three quarter view like a silhouette against a pale blue sky. The young man, who is looking very slightly down towards the observer, is wearing a red jerkin and the characteristic headgear of the Florentine Quattrocento, the mazzocchio. The hat band which is casually draped across his shoulder provides an artistic frame for the young man's face. The sitter of the portrait is probably Gianlorenzo de' Medici, and it could very well be Botticelli's first commissioned work, and from the hair and the clothes, the portrait must date from no later than 1469. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Man , 1451-1500 Painting Style: Italian , , portrait
Painting ID:: 63527
Portrait of a Young Man 1500 Oil on wood, 31 x 26 cm Galleria degli Uffizi, Florence This work, along with the Portrait of a Young Man conserved in the Galleria Capitolina, is recorded in the Inventories of 1753 as a self portrait, and as such it continues to be regarded, even though this supposition lacks any scientific foundation. The portrait is highly distinctive, the face having a mellow, moulded quality accentuated by its halo of soft curls and the round clouds which fill the sky in the background.Artist:BELLINI, Giovanni Title: Portrait of a Young Man Painted in 1451-1500 , Italian - - painting : portrait
Painting ID:: 63592
Portrait of a Young Man 1521 Charcoal drawing on paper, 378 x 211 mm British Museum, London One of the portraits drawn sweepingly with charcoal during the journey to the Netherlands is this portrait of a young man whose identity has not yet been established. The scene is tightly framed, the bust of the portrayed man is moved right into the foreground, causing the wide cap to be cut off by the edges of the picture. His fashionable hat shows off to advantage the character head with the broad cheek bones and sensuous lips, which are depicted with great precision and delicacy.Artist:D?RER, Albrecht Title: Portrait of a Young Man Painted in 1501-1550 , German - - graphics : portrait
Painting ID:: 64143
Portrait of a Young Man 1530-40 Oil on panel, 69 x 52 cm Koninklijk Museum voor Schone Kunsten, Antwerp , Artist: UNKNOWN MASTER, Flemish , Portrait of a Young Man , 1501-1550 , Flemish , painting , portrait
Painting ID:: 64146
Portrait of a Young Man 46 x 32 cm Koninklijk Museum voor Schone Kunsten, Antwerp This portrait of a young man aged 19 provides us with a lively document of the 16th century. , Artist: UNKNOWN MASTER, Dutch , Portrait of a Young Man , 1501-1550 , Dutch , painting , portrait
Painting ID:: 73861
Portrait of a Young Man Date between 1478(1478) and 1482(1482)
Medium tempera with oil glazes on panel
Dimensions 26.7 X 21.3 cm (10.51 X 8.39 in)
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Painting ID:: 82584
Portrait of a Young Man Date second half of 16th century
Medium Oil on canvas transferred from wood
Dimensions Height: 117 cm (46.1 in). Width: 87.5 cm (34.4 in).
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Painting ID:: 84582
Portrait of a Young Man Date between 1505(1505) and 1510(1510)
Medium Oil on wood
Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in).
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Painting ID:: 85545
Portrait of a Young Man Date first half of 16th century
Medium Oil on wood
Dimensions Height: 30.5 cm (12 in). Width: 23 cm (9.1 in).
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Hans Memling Netherlandish Northern Renaissance Painter, ca.1435-1494
Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465.
There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy.
Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation. Portrait of a Young Man 1480s
Medium oil on panel
Dimensions Height: 33 cm (13 in). Width: 25 cm (9.8 in).
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