Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  18876
The Presentation in the Temple
1393-99, Mus??e des Beaux-Arts at Dijon
Flemish, active 1381-1409
Broederlam, Melchoir The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  1184
The Presentation in the Temple
1423 Musee du Louvre, Paris

Gentile da  Fabriano The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  3865
The Presentation in the Temple
Art History Museum, Vienna

Jan van Scorel The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  29040
The Presentation in the Temple
mk65 Tempera on panel 101 3/16x33 3/16in Uffizi,

Ambrogio Lorenzetti The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  33359
The Presentation in the Temple
mk86 1447 139x126cm Darmstadt,Hessisches Landesmuseum

Stefan Lochner The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  40140
The Presentation in the Temple
mk156 1327-32 Tempera on panel 257x138cm

Ambrogio Lorenzetti The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  42947
The Presentation in the Temple
mk170 1460-1470 Oil on oak 83.8x108.6cm

unknow artist The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  42949
The Presentation in the Temple
mk170 1470-1475 Oil on canvas 98.4x70.2cm

unknow artist The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  84138
The presentation in the temple
Date between 1502(1502) and 1503(1503) Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen. English: Tempera grassa (egg-oil) on canvas. Español: Óleo sobre lienzo. Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile. Italiano: Tempera grassa su tavola trasportata su tela. Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in). cjr

RAFFAELLO Sanzio The presentation in the temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  84680
The Presentation in the Temple
Date 1463(1463) Medium Oil on oak panel cjr

Hans Memling The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  84684
The Presentation in the Temple
Date 1463(1463) Medium Oil on wood cjr

Hans Memling The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  87960
The presentation in the temple
Date between 1502(1502) and 1503 cyf

RAFFAELLO Sanzio The presentation in the temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  88585
The Presentation in the Temple
1463(1463) Medium Oil on oak panel cyf

Hans Memling The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      


Painting ID::  88588
The Presentation in the Temple
1463(1463) Medium Oil on wood cyf

Hans Memling The Presentation in the Temple oil painting reproduction


   
 

 

 
   
      

Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
The Presentation in the Temple
1463(1463) Medium Oil on wood cyf

Related Paintings::.
| Maria Theresia of Naples Sicily | Draught horses resting at the beach | Street of the Snakes in Seville |


        
 
   
 

IntoFineArt Co,.Ltd.