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camille corot the mill of Saint-Nicolas-les-Arraz oil painting


the mill of Saint-Nicolas-les-Arraz
Painting ID::  11019
camille corot
the mill of Saint-Nicolas-les-Arraz
July 1874 2' 1 3/4'' x 2' 8''(65.5 x 81 cn)Bequest of Alfred Chauchard,1909 RF 1802

   
   
     

camille corot A Morning; Dance of the Nymphs(Salon of 1850-1851) oil painting


A Morning; Dance of the Nymphs(Salon of 1850-1851)
Painting ID::  11020
camille corot
A Morning; Dance of the Nymphs(Salon of 1850-1851)
3' 2 1/2'' x 4' 3 1/2'' (98 x 131cm) Deposit from the Louvre.RF73

   
   
     

camille corot A Nymph Playing with Cupid(Salon of 1857) oil painting


A Nymph Playing with Cupid(Salon of 1857)
Painting ID::  11023
camille corot
A Nymph Playing with Cupid(Salon of 1857)
2' 7'' x 1' 10 1/2''(78.5 x 57 cm) Bequest of Alfred Chauchard,1909 RF 1782

   
   
     

camille corot View of Genoa (mk09) oil painting


View of Genoa (mk09)
Painting ID::  21301
camille corot
View of Genoa (mk09)
1834 Oil on canvas,29.5 x 39 cm Chicago(II),The Art Institute of Chicago

   
   
     

camille corot Trouville Fishing Boats Stranded in the Channel (mk40) oil painting


Trouville Fishing Boats Stranded in the Channel (mk40)
Painting ID::  25458
camille corot
Trouville Fishing Boats Stranded in the Channel (mk40)
8 1/4'' x 9 1/4''(21 x 23.5 cm)Gift of Max and Rosy Kaganovitch

   
   
     

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     camille corot
     Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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