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Willem Claesz Heda Breakfast Still Life with Blackberry Pie oil painting


Breakfast Still Life with Blackberry Pie
Painting ID::  1581
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Breakfast Still Life with Blackberry Pie
1645 Staatliche Kunstsammlung, Dresden
1645_ Staatliche_Kunstsammlung,_Dresden
   
   
     

Willem Claesz Heda Still Life 001 oil painting


Still Life 001
Painting ID::  1583
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Still Life 001
1651 Gallery of the Duke of Liechtenstein, Vaduz
1651_ Gallery_of_the_Duke_of_Liechtenstein,_Vaduz
   
   
     

Willem Claesz Heda Breakfast of Crab oil painting


Breakfast of Crab
Painting ID::  1584
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Breakfast of Crab
1648 The Hermitage, St.Petersburg
1648_ The_Hermitage,_St.Petersburg
   
   
     

Willem Claesz Heda Still Life with a Gilt Goblet oil painting


Still Life with a Gilt Goblet
Painting ID::  1586
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Still Life with a Gilt Goblet
1635 Rijksmuseum, Amsterdam
1635_ Rijksmuseum,_Amsterdam
   
   
     

Willem Claesz Heda Still Life oil painting


Still Life
Painting ID::  33688
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Still Life
mk86 1631 Oil on panel54x82cm Dresden,Gemaldegalerie Alte Meister
mk86 1631 Oil_on_panel54x82cm Dresden,Gemaldegalerie_Alte_Meister
   
   
     

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     Willem Claesz Heda
     1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).

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