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The Arrival at Vlissingen of the Elector Palatinate Frederick V wr
Painting ID:: 9701
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The Arrival at Vlissingen of the Elector Palatinate Frederick V wr
c. 1632
Oil on canvas, 203 x 409 cm
Frans Halsmuseum, Haarlem
c._1632
Oil_on_canvas,_203_x_409_cm
Frans_Halsmuseum,_Haarlem
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The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar
Painting ID:: 9702
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The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar
c. 1632
Oil on canvas
Frans Halsmuseum, Haarlem
c._1632
Oil_on_canvas
Frans_Halsmuseum,_Haarlem
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Arrival of a Dutch Three-master at Schloss Kronberg srt
Painting ID:: 9703
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Arrival of a Dutch Three-master at Schloss Kronberg srt
1614
Oil on canvas, 101,5 x 180,5 cm
Staatliche Museen, Berlin
1614
Oil_on_canvas,_101,5_x_180,5_cm
Staatliche_Museen,_Berlin
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Battle of Gibraltar qe
Painting ID:: 9704
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Battle of Gibraltar qe
Oil on canvas
Rijksmuseum, Amsterdam
Oil_on_canvas
Rijksmuseum,_Amsterdam
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The Harbour in Amsterdam we
Painting ID:: 9705
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The Harbour in Amsterdam we
1630
Oil on canvas, 97 x 201 cm
Staatsgalerie, Schleissheim
1630
Oil_on_canvas,_97_x_201_cm
Staatsgalerie,_Schleissheim
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VROOM, Hendrick Cornelisz.
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Dutch Baroque Era Painter, ca.1563-1640. He was one of the founders of Dutch marine painting. Painter and draughtsman. By his own account, he received his early training in Delft, home of his mother's family. Van Mander reports that Hendrick's stepfather, like his father a ceramic artist, forced him to work as a decorator of ceramic vessels, which caused the young artist to leave home and embark on extensive travels in Spain and Italy. After working for ecclesiastical patrons in Florence and Rome, he was employed for at least two years (c. 1585-7) by Cardinal Ferdinando de' Medici, who in October 1587 succeeded Francesco I as Grand Duke of Tuscany. Ferdinando's keen interest in ships and the navy seems to have been a determining factor in Vroom's choice of subject-matter. According to Lanzi, he was known in Rome as 'Lo Spagnolo' (since he had arrived there from Spain). Among his earliest works may be a group of marine paintings attributed to him (Rome, Villa Colonna). His friendship in Rome with Paul Bril, mentioned by van Mander, had no effect on Hendrick's painting style, but Bril's influence is discernible in a group of landscape drawings |
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| Cornelius Krieghoff | Lyon, Corneille de | johan | |
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