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VROOM, Hendrick Cornelisz. The Arrival at Vlissingen of the Elector Palatinate Frederick V wr oil painting


The Arrival at Vlissingen of the Elector Palatinate Frederick V wr
Painting ID::  9701
VROOM, Hendrick Cornelisz.
The Arrival at Vlissingen of the Elector Palatinate Frederick V wr
c. 1632 Oil on canvas, 203 x 409 cm Frans Halsmuseum, Haarlem

   
   
     

VROOM, Hendrick Cornelisz. The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar oil painting


The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar
Painting ID::  9702
VROOM, Hendrick Cornelisz.
The Arrival at Vlissingen of the Elector Palatinate Frederick V (detail) ar
c. 1632 Oil on canvas Frans Halsmuseum, Haarlem

   
   
     

VROOM, Hendrick Cornelisz. Arrival of a Dutch Three-master at Schloss Kronberg srt oil painting


Arrival of a Dutch Three-master at Schloss Kronberg srt
Painting ID::  9703
VROOM, Hendrick Cornelisz.
Arrival of a Dutch Three-master at Schloss Kronberg srt
1614 Oil on canvas, 101,5 x 180,5 cm Staatliche Museen, Berlin

   
   
     

VROOM, Hendrick Cornelisz. Battle of Gibraltar qe oil painting


Battle of Gibraltar qe
Painting ID::  9704
VROOM, Hendrick Cornelisz.
Battle of Gibraltar qe
Oil on canvas Rijksmuseum, Amsterdam

   
   
     

VROOM, Hendrick Cornelisz. The Harbour in Amsterdam we oil painting


The Harbour in Amsterdam we
Painting ID::  9705
VROOM, Hendrick Cornelisz.
The Harbour in Amsterdam we
1630 Oil on canvas, 97 x 201 cm Staatsgalerie, Schleissheim

   
   
     

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     VROOM, Hendrick Cornelisz.
     Dutch Baroque Era Painter, ca.1563-1640. He was one of the founders of Dutch marine painting. Painter and draughtsman. By his own account, he received his early training in Delft, home of his mother's family. Van Mander reports that Hendrick's stepfather, like his father a ceramic artist, forced him to work as a decorator of ceramic vessels, which caused the young artist to leave home and embark on extensive travels in Spain and Italy. After working for ecclesiastical patrons in Florence and Rome, he was employed for at least two years (c. 1585-7) by Cardinal Ferdinando de' Medici, who in October 1587 succeeded Francesco I as Grand Duke of Tuscany. Ferdinando's keen interest in ships and the navy seems to have been a determining factor in Vroom's choice of subject-matter. According to Lanzi, he was known in Rome as 'Lo Spagnolo' (since he had arrived there from Spain). Among his earliest works may be a group of marine paintings attributed to him (Rome, Villa Colonna). His friendship in Rome with Paul Bril, mentioned by van Mander, had no effect on Hendrick's painting style, but Bril's influence is discernible in a group of landscape drawings

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     | Edmund Charles Tarbell | William Marlow | Charles Courtney Curran |


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