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VERNET, Claude-Joseph View of Naples uit oil painting


View of Naples uit
Painting ID::  9605
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View of Naples uit
1748 Oil on canvas, 100 x 198 cm Mus??e du Louvre, Paris
1748 Oil_on_canvas,_100_x_198_cm Mus??e_du_Louvre,_Paris
   
   
     

VERNET, Claude-Joseph Shepherd in the Alps  we r oil painting


Shepherd in the Alps we r
Painting ID::  9606
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Shepherd in the Alps we r
Oil on canvas Mus??e des Beaux-Arts, Tours
Oil_on_canvas Mus??e_des_Beaux-Arts,_Tours
   
   
     

VERNET, Claude-Joseph Shipwreck  wr oil painting


Shipwreck wr
Painting ID::  9607
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Shipwreck wr
1759 Oil on canvas, 96 x 134,5 cm Groeninge Museum, Bruges
1759 Oil_on_canvas,_96_x_134,5_cm Groeninge_Museum,_Bruges
   
   
     

VERNET, Claude-Joseph The Town and Harbour of Toulon aer oil painting


The Town and Harbour of Toulon aer
Painting ID::  9608
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The Town and Harbour of Toulon aer
1756 Oil on canvas, 165 x 263 cm Mus??e du Louvre, Paris
1756 Oil_on_canvas,_165_x_263_cm Mus??e_du_Louvre,_Paris
   
   
     

VERNET, Claude-Joseph View of Naples with Nt.Vesuvius (mk05) oil painting


View of Naples with Nt.Vesuvius (mk05)
Painting ID::  20722
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View of Naples with Nt.Vesuvius (mk05)
Canvas,39 3/4 x 77''(99 x 197 cm)Acquired by the Louvre in 1976 R.F
Canvas,39_3/4_x_77''(99_x_197_cm)Acquired_by_the_Louvre_in_1976_R.F
   
   
     

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     VERNET, Claude-Joseph
     French Painter, 1714-1789 Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.

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