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VELAZQUEZ, Diego Rodriguez de Silva y Christ on the Cross aer oil painting


Christ on the Cross aer
Painting ID::  9464
VELAZQUEZ, Diego Rodriguez de Silva y
Christ on the Cross aer
1632 Oil on canvas, 248 x 169 cm Museo del Prado, Madrid

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The Surrender of Breda (Las Lanzas) wr oil painting


The Surrender of Breda (Las Lanzas) wr
Painting ID::  9465
VELAZQUEZ, Diego Rodriguez de Silva y
The Surrender of Breda (Las Lanzas) wr
before 1635 Oil on canvas, 307 x 367 cm Museo del Prado, Madrid

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Doua Antonia de Ipeuarrieta y Galds and her Son Luis t oil painting


Doua Antonia de Ipeuarrieta y Galds and her Son Luis t
Painting ID::  9466
VELAZQUEZ, Diego Rodriguez de Silva y
Doua Antonia de Ipeuarrieta y Galds and her Son Luis t
c. 1631 Oil on canvas, 215 x 100 cm Museo del Prado, Madrid

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Equestrian Portrait of Philip IV kjugh oil painting


Equestrian Portrait of Philip IV kjugh
Painting ID::  9468
VELAZQUEZ, Diego Rodriguez de Silva y
Equestrian Portrait of Philip IV kjugh
1635-36 Oil on canvas, 301 x 314 cm Museo del Prado, Madrid

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Prince Baltasar Carlos on Horseback kh oil painting


Prince Baltasar Carlos on Horseback kh
Painting ID::  9469
VELAZQUEZ, Diego Rodriguez de Silva y
Prince Baltasar Carlos on Horseback kh
1635-36 Oil on canvas, 209 x 173 cm Museo del Prado, Madrid

   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

     Related Artists::.
     | Philip de Laszlo | Lorenzo Veneziano | Georg Pencz |


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