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Titian Man (mk45) oil painting


Man (mk45)
Painting ID::  25871
Titian
Man (mk45)
c.1512 Oil on canvs 81.2x66.3cm London, The National Gallery

   
   
     

Titian Ranuccio Farnese (mk45) oil painting


Ranuccio Farnese (mk45)
Painting ID::  25872
Titian
Ranuccio Farnese (mk45)
c.1542 Oil on canvas 89.7x73.6cm Washington,National Gallery of Art.

   
   
     

Titian Pope Paul III,Cardinal Alessandro Farnese and Duke Ottavio Farnese (mk45) oil painting


Pope Paul III,Cardinal Alessandro Farnese and Duke Ottavio Farnese (mk45)
Painting ID::  25907
Titian
Pope Paul III,Cardinal Alessandro Farnese and Duke Ottavio Farnese (mk45)
1546 Oil on canvas 200x173cm Naples,Galleria Nazionale di Capodemonte

   
   
     

Titian Jacopo de Strada (mk45) oil painting


Jacopo de Strada (mk45)
Painting ID::  25909
Titian
Jacopo de Strada (mk45)
Oil on canvas 125x95cm Vienna,Kunsthistorisches Museum

   
   
     

Titian Self-Portrait oil painting


Self-Portrait
Painting ID::  26748
Titian
Self-Portrait
mk52 c.1560 Oil on canvas 96.4x74.8cm Gemaldegalerie,Berlin

   
   
     

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     Titian
     Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

     Related Artists::.
     | Francois Pascal Simon Gerard | Baciccio | BALDUNG GRIEN, Hans |


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