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Thomas Phillips Lord Byron in Albanian dress oil painting


Lord Byron in Albanian dress
Painting ID::  74491
Thomas Phillips
Lord Byron in Albanian dress
1835(1835) Oil on canvas 76.5 X 63.9 cm cjr

   
   
     

Thomas Phillips Lord Byron in Albanian dress oil painting


Lord Byron in Albanian dress
Painting ID::  75966
Thomas Phillips
Lord Byron in Albanian dress
Date 1835(1835) Medium Oil on canvas Dimensions 76.5 ?? 63.9 cm cyf

   
   
     

Thomas Phillips Charles Dibdin oil painting


Charles Dibdin
Painting ID::  84091
Thomas Phillips
Charles Dibdin
Date 1799 cyf

   
   
     

Thomas Phillips Portrait of William Blake oil painting


Portrait of William Blake
Painting ID::  94437
Thomas Phillips
Portrait of William Blake
1807(1807) Medium painting cjr

   
   
     

Thomas Phillips David Ricardo oil painting


David Ricardo
Painting ID::  97224
Thomas Phillips
David Ricardo
circa 1821 Medium oil on canvas Dimensions 36 1/8 in. x 28 in. cyf

   
   
     

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     Thomas Phillips
     (18 October 1770 - 20 April 1845) was a leading English portrait and subject painter. He painted many of the great men of the day including scientists, artists, writers, poets and explorers. Phillips was born at Dudley then in Worcestershire. Having acquired the art of glass-painting in Birmingham under Francis Eginton,[1] he visited London in 1790 with an introduction to Benjamin West, who found him employment on the painted-glass windows of St George's Chapel at Windsor. In 1791, he became a student of the Royal Academy, and exhibited there, in 1792, a view of Windsor Castle, followed in the next two years by the "Death of Talbot, Earl of Shrewsbury, at the Battle of Castillon," "Ruth and Naomi," "Elijah restoring the Widow's Son," "Cupid disarmed by Euphrosyne," and other pictures. After 1796, he mainly confined himself to portrait-painting. However, the field was very crowded with the likes of John Hoppner, William Owen, Thomas Lawrence and Martin Archer Shee competing for business; consequently, from 1796 to 1800, his exhibited works were chiefly portraits of gentlemen and ladies, often nameless in the catalogue and of no great importance historically-speaking.

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