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Kirkstall Abbey,Yorkshire-Evening (mk47)
Painting ID:: 26066
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Kirkstall Abbey,Yorkshire-Evening (mk47)
c.1800
Watercolour
317x520mm
Victoria & Albert Museum,London
c.1800
Watercolour
317x520mm
Victoria_&_Albert_Museum,London
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The White House at Chelsea
Painting ID:: 31322
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The White House at Chelsea
nn07
nn07
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Bamburgh Castle,
Painting ID:: 32783
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Bamburgh Castle,
mk81
Northumberland
c.1797-9
mk81
Northumberland
c.1797-9
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berry pomeroy castle,devon
Painting ID:: 56164
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berry pomeroy castle,devon
mk247
1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
mk247
1798,watercolor_on_paper,10.875x15.375_in,27.5x39_cm,sotheby_s,london,uk
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the tihe barn abbotsbuy
Painting ID:: 56592
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the tihe barn abbotsbuy
mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
mk248_girtin_farglade_ofta_de_skissrt_som_ban_gjorde_ute_i_det_fria,mran_ban_brukade_begransa_sig_till_tua_eller_tre_farger_manga_blev_forlaga_till_fullbordade_akvaller_men_banromd_att_samlare_aven_ville_kopa_bans_skissern_vittnar_om.
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Thomas Girtin
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English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms |
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Related Artists::.
| Master of Moulins | Carlo Maratta | Ambrosius Benson | |
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