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Thomas Eakins Home Ranch 1888 oil painting


Home Ranch 1888
Painting ID::  3981
Thomas Eakins
Home Ranch 1888


   
   
     

Thomas Eakins Fairman Rogers Four-in-Hand oil painting


Fairman Rogers Four-in-Hand
Painting ID::  3982
Thomas Eakins
Fairman Rogers Four-in-Hand


   
   
     

Thomas Eakins Between Rounds oil painting


Between Rounds
Painting ID::  3983
Thomas Eakins
Between Rounds
1899 Philadelphia Museum of Art

   
   
     

Thomas Eakins Self Portrait  hbn oil painting


Self Portrait hbn
Painting ID::  3984
Thomas Eakins
Self Portrait hbn
1902 National Academy of Design, New York

   
   
     

Thomas Eakins Portrait of Amelia van Buren oil painting


Portrait of Amelia van Buren
Painting ID::  3985
Thomas Eakins
Portrait of Amelia van Buren
1891 The Phillips Collection, Washington DC

   
   
     

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     Thomas Eakins
     American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

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     | Osthaus, Edmund Henry | Lebasque, Henri | George Dawe |


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