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Kaaterskill Falls s
Painting ID:: 9880
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Kaaterskill Falls s
1826Oil on canvas
Wadsworth
Atheneum,Hartford
1826Oil_on_canvas_
Wadsworth_
Atheneum,Hartford
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Landscape 325
Painting ID:: 9881
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Landscape 325
the Seat of Mr.
Featherstonhaugh
in the Distance
1826Oil on canvas
the_Seat_of_Mr._
Featherstonhaugh_
in_the_Distance_
1826Oil_on_canvas
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Falls of Kaaterskill
Painting ID:: 9882
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Falls of Kaaterskill
1826 Oil on canvas
Alabama
1826_Oil_on_canvas_
Alabama
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Daniel Boone Sitting
Painting ID:: 9883
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Daniel Boone Sitting
at the Door of His
Cabin on the Great
Osage Lake,
Kentucky
1826Oil on canvas
Mead Art Museum,
Amherst College,
Massachusetts
at_the_Door_of_His_
Cabin_on_the_Great_
Osage_Lake,_
Kentucky_
1826Oil_on_canvas_
Mead_Art_Museum,_
Amherst_College,_
Massachusetts
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Sunrise in the Catskill
Painting ID:: 9884
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Sunrise in the Catskill
Mountains
1826Oil on canvas
National Gallery
of Art, Washington
Mountains_
1826Oil_on_canvas_
National_Gallery_
of_Art,_Washington
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Thomas Cole
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1801-1848
Thomas Cole Galleries
Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism.
In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough. |
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Related Artists::.
| Eyre Crowe | Earle Grantham Teale | Samuel Prout | |
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