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Adoration of the Christ Child gi
Painting ID:: 9281
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Adoration of the Christ Child gi
1548
Oil on canvas
Galleria Borghese, Rome
1548
Oil_on_canvas
Galleria_Borghese,_Rome
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Gathering the Manna
Painting ID:: 32870
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Gathering the Manna
mk84
1586
El Escoria,Sagrario
fresco
mk84
1586
El_Escoria,Sagrario
fresco
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Marty of St.Lawrence
Painting ID:: 32871
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Marty of St.Lawrence
mk84
1592
El Escorial
basilica
canvas
419x315cm
mk84
1592
El_Escorial
basilica
canvas
419x315cm
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Martyrdom of St Lawrence
Painting ID:: 43685
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Martyrdom of St Lawrence
1592
Oil on canvas,
419 x 315 cm
1592_
Oil_on_canvas,_
419_x_315_cm
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Adoration of the Christ Child
Painting ID:: 63015
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Adoration of the Christ Child
1548 Oil on canvas Galleria Borghese, Rome Pellegrino Tibaldi (also Pellegrino da Bologna) was influenced by Perin del Vaga during a stay in Rome in 1547 (as seen in the decoration of the Castel Sant' Angelo). Later he orientated towards Michelangelo. In his Adoration of the Christ Child, 1548, Pellegrino Tibaldi surrounds the infant Jesus by a whirling crowd of worshipping figures reminiscent of the angels and the damned in the Last Judgement in the Sistine Chapel. Artist: TIBALDI, Pellegrino Painting Title: Adoration of the Christ Child , 1551-1600 Painting Style: Italian , , religious
1548_Oil_on_canvas_Galleria_Borghese,_Rome_Pellegrino_Tibaldi_(also_Pellegrino_da_Bologna)_was_influenced_by_Perin_del_Vaga_during_a_stay_in_Rome_in_1547_(as_seen_in_the_decoration_of_the_Castel_Sant'_Angelo)._Later_he_orientated_towards_Michelangelo._In_his_Adoration_of_the_Christ_Child,_1548,_Pellegrino_Tibaldi_surrounds_the_infant_Jesus_by_a_whirling_crowd_of_worshipping_figures_reminiscent_of_the_angels_and_the_damned_in_the_Last_Judgement_in_the_Sistine_Chapel.__Artist:_TIBALDI,_Pellegrino_Painting_Title:_Adoration_of_the_Christ_Child_,__1551-1600_Painting_Style:_Italian_,_,__religious
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TIBALDI, Pellegrino
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Italian Painter, 1527-1596
Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the Shepherds |
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Related Artists::.
| Master of the View of Sainte Gudule | Nicolaas Pieneman | Octavius Oakley | |
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