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Portrait of Catherine de Montholon art
Painting ID:: 9197
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Portrait of Catherine de Montholon art
Oil on canvas, 54 x 40 cm
Mus??e des Beaux-Arts, Dijon
Oil_on_canvas,_54_x_40_cm
Mus??e_des_Beaux-Arts,_Dijon
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Portrait of a Young Man ar
Painting ID:: 9198
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Portrait of a Young Man ar
1632
Oil on canvas, 56 x 44 cm
Mus??e Calvet, Avignon
1632
Oil_on_canvas,_56_x_44_cm
Mus??e_Calvet,_Avignon
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TASSEL, Jean
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French Baroque Era Painter, ca.1608-1667
Son of Richard Tassel, with whose works his own were for a long time confused. He trained with his father and by 1634 was recorded in Rome, where he came into contact with his fellow Frenchmen Claude Lorrain, Nicolas Poussin and Sebastien Bourdon. Like the last he was influenced by the Bamboccianti, and he painted a number of low-life genre scenes at this period; these include Singers in a Tavern (Kassel, Schloss Wilhelmshehe) and Travellers Attacked (Warsaw, N. Mus.). He had returned to Langres by 1647, the date of his marriage, and continued to paint genre pictures after this, such as The Sawyers (Strasbourg, Mus. B.-A.) and The Marauders (Langres, Mus. St Didier). Other influences from Rome include Caravaggio, strong in a picture such as the Fortune-teller (sold Paris, Drouot, 1 April 1987, ) but far less apparent in the Presentation of the Infant Jesus (Dijon, Mus. B.-A.) and Tobias and the Angel (Dijon, Mus. B.-A.). However, the most lasting influence was that of the Romano-Bolognese school, seen in later pictures such as the Annunciation |
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Related Artists::.
| F Usher De Voll | Elliott Charles Loring | Pieter de Grebber | |
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