GO HOME
Visit European Gallery



  1  2  3  4  5  6  7  8  9  10   Next
 
 
Prev Artist       Next Artist     

Simone Martini Maesta (mk08) oil painting


Maesta (mk08)
Painting ID::  21143
Simone Martini
Maesta (mk08)
1315/16 Fresco. 10.58x9.77m Siena,Palazzo Pubblico. Museo Civico

   
   
     

Simone Martini The Angel of the Annunciation oil painting


The Angel of the Annunciation
Painting ID::  2892
Simone Martini
The Angel of the Annunciation
1333 National Gallery of Art, Washington DC

   
   
     

Simone Martini The Death of St.Martin oil painting


The Death of St.Martin
Painting ID::  2893
Simone Martini
The Death of St.Martin
1321 Lower Church of San Francesco, Assisi

   
   
     

Simone Martini Miracle of Fire oil painting


Miracle of Fire
Painting ID::  2894
Simone Martini
Miracle of Fire
1321 Lower Church of San Francesco, Assisi

   
   
     

Simone Martini Miraculous Mass oil painting


Miraculous Mass
Painting ID::  2895
Simone Martini
Miraculous Mass
1321 Lower Church of San Francesco, Assisi

   
   
     

  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     Simone Martini
     1283-1344 Italian Simone Martini Locations He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. His brother-in-law was the artist Lippo Memmi. Very little documentation survives regarding Simone's life, and many attributions are debated by art historians. Simone Martini died while in the service of the Papal court at Avignon in 1344. Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maest?? of 1315 in the Palazzo Pubblico in Siena. A copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simone's prototypes would have on other artists throughout the fourteenth century. Perpetuating the Sienese tradition, Simone's style contrasted with the sobriety and monumentality of Florentine art, and is noted for its soft, stylized, decorative features, sinuosity of line, and unsurpassed courtly elegance. Simone's art owes much to French manuscript illumination and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the Via Francigena, a main pilgrimage and trade route from Northern Europe to Rome. Simone's major works include the Maest?? (1315) in the Palazzo Pubblico in Siena, St Louis of Toulouse Crowning the King at the Museo di Capodimonte in Naples (1317), the S. Caterina Polyptych in Pisa (1319) and the Annunciation and two Saints at the Uffizi in Florence (1333), as well as frescoes in the Chapel of St. Martin in the lower church of the Basilica of San Francesco d'Assisi. Francis Petrarch became friend with Simone while in Avignon, and two of his sonnets make reference to a portrait of Laura de Noves he supposedly painted for the poet.

     Related Artists::.
     | Juan Manuel Blanes | GIOVANNI DA MODENA | Pierre Renoir |


IntoFineArt Co,.Ltd.