GO HOME
Visit European Gallery



  1
 
 
Prev Artist       Next Artist     

Sigmund Freudenberger Stadtischer visit on the country oil painting


Stadtischer visit on the country
Painting ID::  45022
Sigmund Freudenberger
Stadtischer visit on the country
mk182

   
   
     

Sigmund Freudenberger The Proprete Villageoise oil painting


The Proprete Villageoise
Painting ID::  45063
Sigmund Freudenberger
The Proprete Villageoise
mk182

   
   
     

Sigmund Freudenberger Sigmund Freudenberger oil painting


Sigmund Freudenberger
Painting ID::  45064
Sigmund Freudenberger
Sigmund Freudenberger
mk182

   
   
     

  1
Prev Artist       Next Artist     

     Sigmund Freudenberger
     Swiss, 1745-1801,Swiss painter, draughtsman and engraver. In 1761 he went to work for the portrait painter Emanuel Handmann in Basle, where he stayed for three years. In 1765, with Adrian Zingg (1734-86), he left for Paris, where he trained with Jakob Schmutzer (1733-1811) and frequented the studio of Jean Georges Wille, the celebrated engraver. He worked as a book illustrator during this period. The work of Boucher, whom he met, and of Greuze and Fragonard had a significant influence on his artistic development. Freudenberger returned in 1773 to Berne, where he undertook several portraits. He became friendly with Johann Ludwig Aberli, with whom he travelled the countryside, which he recorded in numerous drawings, watercolours and engravings. He specialized in genre scenes, rustic still-lifes and portrayals of Bernese peasant life, which became very popular. In some works, such as a red chalk drawing of A Woman Playing the Harp (1778; Zurich, Schweizer. Landesmus.), he continued the gallant style he had learnt from Boucher. His watercolours were frequently engraved, either individually or in series, and hand-coloured. His style is characterized by detailed and careful execution and by an intimate, narrative approach, although he tended to idealize his rustic subject-matter. His work was significant in introducing genre subjects in Switzerland, where artists had tended to concentrate on pure landscape. He ran a large studio where Daniel Lafond (1763-1831), Niklaus Kenig and Georg Mind (1768-1814) were pupils. The French Revolution was disastrous for his art and his business and clouded the last years of his life.

     Related Artists::.
     | George Shuklin | Jean Barbault | Arnold Bocklin |


IntoFineArt Co,.Ltd.