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Sebastiano Ricci The Miraculous Draught of Fishes oil painting


The Miraculous Draught of Fishes
Painting ID::  91456
Sebastiano Ricci
The Miraculous Draught of Fishes
1695(1695) Source Detroit Institute of Arts cyf

   
   
     

Sebastiano Ricci Sturz der rebellischen Engel oil painting


Sturz der rebellischen Engel
Painting ID::  91472
Sebastiano Ricci
Sturz der rebellischen Engel
c. 1720 Medium oil on canvas Dimensions Deutsch: 78,1 x 64,8 cm cjr

   
   
     

Sebastiano Ricci The Deposition oil painting


The Deposition
Painting ID::  97743
Sebastiano Ricci
The Deposition
1516(1516) Medium Oil on canvas transferred from wood cyf

   
   
     

Sebastiano Ricci Bacchus und Ariadne oil painting


Bacchus und Ariadne
Painting ID::  97957
Sebastiano Ricci
Bacchus und Ariadne
oil on canvas Dimensions Deutsch: 75,9 x 63,2 cm cyf

   
   
     

Sebastiano Ricci Heilige Familie mit Hl Anna oil painting


Heilige Familie mit Hl Anna
Painting ID::  97984
Sebastiano Ricci
Heilige Familie mit Hl Anna
1709(1709) Medium oil on canvas Dimensions 138 x 103 cm cyf

   
   
     

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     Sebastiano Ricci
     (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

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     | Paul Philippoteaux | Orest Kiprensky | Pedro Weingartner |


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