|
|
|
|
|
The Birth of Venus
Painting ID:: 124
Visit European Gallery
|
The Birth of Venus
1480
Galleria degli Uffizi, Florence
1480_
Galleria_degli_Uffizi,_Florence
|
| |
|
|
|
|
|
|
|
|
|
The Return of Judith
Painting ID:: 126
Visit European Gallery
|
The Return of Judith
1470
Galleria degli Uffizi, Florence
1470_
Galleria_degli_Uffizi,_Florence
|
| |
|
|
|
|
|
|
|
|
|
Portrait of a Man with a Medal
Painting ID:: 127
Visit European Gallery
|
Portrait of a Man with a Medal
Galleria degli Uffizi, Florence
Galleria_degli_Uffizi,_Florence
|
| |
|
|
|
|
|
|
|
|
|
The Discovery of the Body of Holofernes
Painting ID:: 128
Visit European Gallery
|
The Discovery of the Body of Holofernes
Galleria degli Uffizi, Florence
Galleria_degli_Uffizi,_Florence
|
| |
|
|
|
|
|
|
|
|
|
The Adoration of the Magi
Painting ID:: 129
Visit European Gallery
|
The Adoration of the Magi
1475
Galleria degli Uffizi, Florence
1475_
Galleria_degli_Uffizi,_Florence
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Sandro Botticelli
|
|
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s |
|
Related Artists::.
| Ernest Meissonier | John William North,ARA,RWS | Carles Arthur Beecher | |
|
