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Sandro Botticelli Madonna de Padiglionel oil painting


Madonna de Padiglionel
Painting ID::  10018
Sandro Botticelli
Madonna de Padiglionel
1493. Tempera on panel. Pinacoteca Ambrosiana, Milan, Italy

   
   
     

Sandro Botticelli Lamentation over Dead Christ oil painting


Lamentation over Dead Christ
Painting ID::  10019
Sandro Botticelli
Lamentation over Dead Christ
1495 Tempera on panel Museo Poldi Pezzoli

   
   
     

Sandro Botticelli Madonna and Child and the young St. John the Baptist oil painting


Madonna and Child and the young St. John the Baptist
Painting ID::  10020
Sandro Botticelli
Madonna and Child and the young St. John the Baptist
c.1490-1495. Tempera on canvas Palazzo Pitti, Galleria Palatina,Florence

   
   
     

Sandro Botticelli Virgin and Child with the Infant St. John. After oil painting


Virgin and Child with the Infant St. John. After
Painting ID::  10021
Sandro Botticelli
Virgin and Child with the Infant St. John. After
1500. Tempera on panel Dresden Gallery Dresden, Germany

   
   
     

Sandro Botticelli The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist oil painting


The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist
Painting ID::  10022
Sandro Botticelli
The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist
Tempera on panel Louvre,Paris,France

   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

     Related Artists::.
     | Anna Atkins | Hippolyte Berteaux | Antonio Puga |


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