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Sandro Botticelli Panel II of The Story of Nastagio degli Onesti oil painting


Panel II of The Story of Nastagio degli Onesti
Painting ID::  135
Sandro Botticelli
Panel II of The Story of Nastagio degli Onesti
1483 Museo del Prado, Madrid

   
   
     

Sandro Botticelli Madonna and Child, Two Angels and the Young St. John the Baptist oil painting


Madonna and Child, Two Angels and the Young St. John the Baptist
Painting ID::  9993
Sandro Botticelli
Madonna and Child, Two Angels and the Young St. John the Baptist
c.1467. Tempera on panel Galleria dell' Accademia

   
   
     

Sandro Botticelli Madonna della Loggia oil painting


Madonna della Loggia
Painting ID::  9994
Sandro Botticelli
Madonna della Loggia
1467Tempera on panel Galleria dell' Accademia

   
   
     

Sandro Botticelli Madonna in Glory oil painting


Madonna in Glory
Painting ID::  9995
Sandro Botticelli
Madonna in Glory
1469-1470. Tempera on panel Galleria degli Uffizi

   
   
     

Sandro Botticelli Madonna of the Rosegarden oil painting


Madonna of the Rosegarden
Painting ID::  9996
Sandro Botticelli
Madonna of the Rosegarden
1470 Tempera on panel Galleria degli Uffizi

   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

     Related Artists::.
     | Bachiacca | Julie Wilhelmine Hagen-Schwarz | Christoph Paudiss |


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