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Sandro Botticelli Spring (nn03) oil painting


Spring (nn03)
Painting ID::  23260
Sandro Botticelli
Spring (nn03)
c 1470/80 Tempera on panel 175.5 x 278.5 cm 69 1/4 x 109 1/2 in Galleria degli Uffizi Florence

   
   
     

Sandro Botticelli Lorenzo Ghiberti,Sacrifice of Isaac (mk36) oil painting


Lorenzo Ghiberti,Sacrifice of Isaac (mk36)
Painting ID::  24961
Sandro Botticelli
Lorenzo Ghiberti,Sacrifice of Isaac (mk36)
1402 fomella for the Competition for the Northern Door the Florentine Baptisery.Florentine Museo Nazionale del Bargello

   
   
     

Sandro Botticelli Filippo Lippi.Madonna with Child and Angels or Uffizi Madonna (mk36) oil painting


Filippo Lippi.Madonna with Child and Angels or Uffizi Madonna (mk36)
Painting ID::  24962
Sandro Botticelli
Filippo Lippi.Madonna with Child and Angels or Uffizi Madonna (mk36)
1464-1465 Florence,Galleria degli Uffizi

   
   
     

Sandro Botticelli modonna with Child and an Angel (mk36) oil painting


modonna with Child and an Angel (mk36)
Painting ID::  24963
Sandro Botticelli
modonna with Child and an Angel (mk36)
c.1465 Florence,Museo dello Speeale degli lnnocenti

   
   
     

Sandro Botticelli Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36) oil painting


Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
Painting ID::  24964
Sandro Botticelli
Madonna of the Rose Garden or Madonna and Child with St john the Baptist (mk36)
c.1468 details..paris.Musee du Louvre

   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

     Related Artists::.
     | George Flegel | wilhelm bendz | Emmanuel Herman Joseph Wallet |


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