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STRIGEL, Bernhard Portrait of Sybilla von Freyberg (born Gossenbrot) er oil painting


Portrait of Sybilla von Freyberg (born Gossenbrot) er
Painting ID::  9158
STRIGEL, Bernhard
Portrait of Sybilla von Freyberg (born Gossenbrot) er
Wood, 61 x 35,8 cm Alte Pinakothek, Munich

   
   
     

STRIGEL, Bernhard Holy Family et oil painting


Holy Family et
Painting ID::  9159
STRIGEL, Bernhard
Holy Family et
c. 1505 Panel Germanisches Nationalmuseum, Nuremberg

   
   
     

STRIGEL, Bernhard Portrait of Conrad Rehlinger and his Children ar oil painting


Portrait of Conrad Rehlinger and his Children ar
Painting ID::  9160
STRIGEL, Bernhard
Portrait of Conrad Rehlinger and his Children ar
1517 Wood, 209 x 101 cm and 209 x 98 cm Alte Pinakothek, Munich

   
   
     

STRIGEL, Bernhard St Ladislas Presents Wladislav II and his Sons to the Virgin r oil painting


St Ladislas Presents Wladislav II and his Sons to the Virgin r
Painting ID::  9161
STRIGEL, Bernhard
St Ladislas Presents Wladislav II and his Sons to the Virgin r
1511-12 Wood, 43 x 30,8 cm Museum of Fine Arts, Budapest

   
   
     

STRIGEL, Bernhard St Ladislas Presents Wladislav II and his Sons to the Virgin (detail)  wr oil painting


St Ladislas Presents Wladislav II and his Sons to the Virgin (detail) wr
Painting ID::  9162
STRIGEL, Bernhard
St Ladislas Presents Wladislav II and his Sons to the Virgin (detail) wr
1511-12 Wood, 43 x 30,8 cm (full panel) Museum of Fine Arts, Budapest

   
   
     

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     STRIGEL, Bernhard
     German Northern Renaissance Painter, ca.1460-1528..Painter, son or nephew of Hans Strigel II. His training with Hans Striegel II shows stylistically in his early works in the Grisons, e.g. the Last Judgement (1486; Brigels, pilgrimage chapel of St Eusebius) and an altarpiece at Disentis (1489; St Johann Baptist). In the 1480s and 1490s he also worked in the studio of Ivo Strigel. Motifs in his pictures stem from engravings by Martin Schongauer and from Ulm book woodcuts. He met Bartholomus Zeitblom as a fellow worker on the high altar (1493-4) of Blaubeuren Abbey, both being influenced by Netherlandish art: Zeitblom by Rogier van der Weyden but Strigel primarily by Dieric Bouts. This influence is also seen in his Adoration of the Magi altarpiece (c. 1500; Memmingen, Stedtmus.). The altar of the Virgin for the monastery at Salem (1507-8; Salem, Schloss) has links with D?rer's graphic work: an increasing three-dimensionality and monumentalization of the objects and figures, and their disposition in space.

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