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The Concert wtr
Painting ID:: 9145
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The Concert wtr
c. 1615
Oil on canvas, 143 x 172 cm
Mus??e du Louvre, Paris
c._1615
Oil_on_canvas,_143_x_172_cm
Mus??e_du_Louvre,_Paris
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St Jerome ear
Painting ID:: 9146
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St Jerome ear
1610s
Oil on canvas, 112 x 143 cm
Galleria Nazionale d'Arte Antica, Rome
1610s
Oil_on_canvas,_112_x_143_cm
Galleria_Nazionale_d'Arte_Antica,_Rome
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The Return of the Prodigal Son (mk05)
Painting ID:: 20374
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The Return of the Prodigal Son (mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
Canvas,63_x_47''(160_x_119_cm).Ducal_Gallery_in_Modena;entered_the_Louvre_in_1797
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Un concert du musique
Painting ID:: 30998
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Un concert du musique
mk70
Toile.
H.1.42
L.1.72
Maisons-Laffitte,Chateau
mk70
Toile.
H.1.42
L.1.72
Maisons-Laffitte,Chateau
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Enee et Anchise
Painting ID:: 30999
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Enee et Anchise
mk70
Toile
H.1.94
L.1.33
Paris,Musee du Louvre
mk70
Toile
H.1.94
L.1.33
Paris,Musee_du_Louvre
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1 | Prev Artist Next Artist
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SPADA, Lionello
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Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma). |
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Related Artists::.
| Matthys Naiveu | Robert Breyer | Albert Bierdstadt | |
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