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Raimundo de Madrazo y Garreta Marquise d' Hervey Saint-Denys oil painting


Marquise d' Hervey Saint-Denys
Painting ID::  11863
Raimundo de Madrazo y Garreta
Marquise d' Hervey Saint-Denys
1888 4' 4 3/4'' x 2' 8 3/4''(134 x 83 cm)Bequest of Mrs.d'Adelsward-Pourtales,1934

   
   
     

Raimundo de Madrazo y Garreta A Gypsy oil painting


A Gypsy
Painting ID::  28790
Raimundo de Madrazo y Garreta
A Gypsy
mk61 Oil on canvas 65x49cm

   
   
     

Raimundo de Madrazo y Garreta The Model Aline Masson with a White Mantilla oil painting


The Model Aline Masson with a White Mantilla
Painting ID::  28791
Raimundo de Madrazo y Garreta
The Model Aline Masson with a White Mantilla
mk61 Oil on canvas 65x52cm

   
   
     

Raimundo de Madrazo y Garreta Versailles, le jardin du Roi oil painting


Versailles, le jardin du Roi
Painting ID::  71890
Raimundo de Madrazo y Garreta
Versailles, le jardin du Roi
1914-1920 Oil on canvas 17 x 30 cm

   
   
     

Raimundo de Madrazo y Garreta Kostanjevica oil painting


Kostanjevica
Painting ID::  97287
Raimundo de Madrazo y Garreta
Kostanjevica
1930(1930) Medium oil on canvas Dimensions 54.6 X 65.8 cm cyf

   
   
     

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     Raimundo de Madrazo y Garreta
     Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,

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