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Pieter Aertsen Market Scene oil painting


Market Scene
Painting ID::  77140
Pieter Aertsen
Market Scene
Date 1561(1561) Medium Oil on wood cyf

   
   
     

Pieter Aertsen Butcher s Stall oil painting


Butcher s Stall
Painting ID::  77362
Pieter Aertsen
Butcher s Stall
Date 1551(1551) Medium Oil on panel Dimensions Width: 167 cm (65.7 in). Height: 123 cm (48.4 in). cyf

   
   
     

Pieter Aertsen Christ and the Adulteress oil painting


Christ and the Adulteress
Painting ID::  77379
Pieter Aertsen
Christ and the Adulteress
Date 1559(1559) Medium Oil on wood Dimensions Width: 177 cm (69.7 in). Height: 122 cm (48 in). cyf

   
   
     

Pieter Aertsen Vendor of Fowl oil painting


Vendor of Fowl
Painting ID::  78347
Pieter Aertsen
Vendor of Fowl
1560s Oil on panel Width: 95 cm (37.4 in). Height: 137 cm (53.9 in). cjr

   
   
     

Pieter Aertsen Market Scene oil painting


Market Scene
Painting ID::  78486
Pieter Aertsen
Market Scene
1st half of 16th century Medium Oil on oak Dimensions Width: 85 cm (33.5 in). Height: 127 cm (50 in). cyf

   
   
     

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     Pieter Aertsen
     1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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     | Cornelius Johnson | Thomas Chambers | Marry DeNeale Morgan |


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