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Peter Paul Rubens The Adoration of the Magi oil painting


The Adoration of the Magi
Painting ID::  3641
Peter Paul Rubens
The Adoration of the Magi
1617-18 Musee des Beaux Arts, Lyons

   
   
     

Peter Paul Rubens Adoration of the Magi oil painting


Adoration of the Magi
Painting ID::  3642
Peter Paul Rubens
Adoration of the Magi
King's College Chapel, Cambridge, UK

   
   
     

Peter Paul Rubens The Deposition oil painting


The Deposition
Painting ID::  3643
Peter Paul Rubens
The Deposition
1612 Antwerp Cathedral

   
   
     

Peter Paul Rubens The Four Quarters of the Globe oil painting


The Four Quarters of the Globe
Painting ID::  3644
Peter Paul Rubens
The Four Quarters of the Globe
1612-14 Art History Museum, Vienna

   
   
     

Peter Paul Rubens Roman Charity oil painting


Roman Charity
Painting ID::  3645
Peter Paul Rubens
Roman Charity
1612 The Hermitage, St.Petersburg

   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

     Related Artists::.
     | E.Phillips Fox | JUANES, Juan de | Charles Landseer |


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