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Paul Gauguin Hail Mary oil painting


Hail Mary
Painting ID::  1350
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Hail Mary
1891 113.7 x 87.7 cm Metropolitan Museum of Art, New York
1891_113.7_x_87.7_cm_ Metropolitan_Museum_of_Art,_New_York
   
   
     

Paul Gauguin Nevermore, O Tahiti oil painting


Nevermore, O Tahiti
Painting ID::  1351
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Nevermore, O Tahiti
1879 60.5 x 116 cm (23 7/8 x 45 5/8 in) Courtauld Institute, London
1879_ 60.5_x_116_cm_(23_7/8_x_45_5/8_in)_ Courtauld_Institute,_London
   
   
     

Paul Gauguin Three Tahitians oil painting


Three Tahitians
Painting ID::  1352
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Three Tahitians
1899 National Gallery of Scotland, Edinburgh
1899_ National_Gallery_of_Scotland,_Edinburgh
   
   
     

Paul Gauguin Nave Nave Moe oil painting


Nave Nave Moe
Painting ID::  1353
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Nave Nave Moe
1894 Hermitage, St. Petersburg
1894_ Hermitage,_St._Petersburg
   
   
     

Paul Gauguin Afternoon Rest, Siesta oil painting


Afternoon Rest, Siesta
Painting ID::  1354
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Afternoon Rest, Siesta
1894 Private Collection
1894_ Private_Collection
   
   
     

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     Paul Gauguin
     French 1848-1903 Paul Gauguin Art Locations (born June 7, 1848, Paris, France ?? died May 8, 1903, Atuona, Hiva Oa, Marquesas Islands, French Polynesia) French painter, sculptor, and printmaker. He spent his childhood in Lima (his mother was a Peruvian Creole). From c. 1872 to 1883 he was a successful stockbroker in Paris. He met Camille Pissarro about 1875, and he exhibited several times with the Impressionists. Disillusioned with bourgeois materialism, in 1886 he moved to Pont-Aven, Brittany, where he became the central figure of a group of artists known as the Pont-Aven school. Gauguin coined the term Synthetism to describe his style during this period, referring to the synthesis of his paintings formal elements with the idea or emotion they conveyed. Late in October 1888 Gauguin traveled to Arles, in the south of France, to stay with Vincent van Gogh. The style of the two men work from this period has been classified as Post-Impressionist because it shows an individual, personal development of Impressionism use of colour, brushstroke, and nontraditional subject matter. Increasingly focused on rejecting the materialism of contemporary culture in favour of a more spiritual, unfettered lifestyle, in 1891 he moved to Tahiti. His works became open protests against materialism. He was an influential innovator; Fauvism owed much to his use of colour, and he inspired Pablo Picasso and the development of Cubism.

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