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Paul Gauguin The White Horse r oil painting


The White Horse r
Painting ID::  1345
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The White Horse r
1898 140 x 91 cm (55 1/8 x 35 7/8 in) Musee d'Orsay, Paris
1898_140_x_91_cm_(55_1/8_x_35_7/8_in) Musee_d'Orsay,_Paris
   
   
     

Paul Gauguin Mahana No Atua oil painting


Mahana No Atua
Painting ID::  1346
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Mahana No Atua
1894 The Art Institute of Chicago
1894_ The_Art_Institute_of_Chicago
   
   
     

Paul Gauguin When Will You Marry oil painting


When Will You Marry
Painting ID::  1347
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When Will You Marry
1892 Kunstmuseum Basel, Basel
1892_ Kunstmuseum_Basel,_Basel
   
   
     

Paul Gauguin Two Tahitian Women with Mango oil painting


Two Tahitian Women with Mango
Painting ID::  1348
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Two Tahitian Women with Mango
1899 The Metropolitan Museum of Art, New York
1899_ The_Metropolitan_Museum_of_Art,_New_York
   
   
     

Paul Gauguin  Daydreaming oil painting


Daydreaming
Painting ID::  1349
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Daydreaming


   
   
     

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     Paul Gauguin
     French 1848-1903 Paul Gauguin Art Locations (born June 7, 1848, Paris, France ?? died May 8, 1903, Atuona, Hiva Oa, Marquesas Islands, French Polynesia) French painter, sculptor, and printmaker. He spent his childhood in Lima (his mother was a Peruvian Creole). From c. 1872 to 1883 he was a successful stockbroker in Paris. He met Camille Pissarro about 1875, and he exhibited several times with the Impressionists. Disillusioned with bourgeois materialism, in 1886 he moved to Pont-Aven, Brittany, where he became the central figure of a group of artists known as the Pont-Aven school. Gauguin coined the term Synthetism to describe his style during this period, referring to the synthesis of his paintings formal elements with the idea or emotion they conveyed. Late in October 1888 Gauguin traveled to Arles, in the south of France, to stay with Vincent van Gogh. The style of the two men work from this period has been classified as Post-Impressionist because it shows an individual, personal development of Impressionism use of colour, brushstroke, and nontraditional subject matter. Increasingly focused on rejecting the materialism of contemporary culture in favour of a more spiritual, unfettered lifestyle, in 1891 he moved to Tahiti. His works became open protests against materialism. He was an influential innovator; Fauvism owed much to his use of colour, and he inspired Pablo Picasso and the development of Cubism.

     Related Artists::.
     | William Hoare | Martin Drolling | Pieter Jansz Saenredam |


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