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PERRONNEAU, Jean-Baptiste Madame de Sorquainville af oil painting


Madame de Sorquainville af
Painting ID::  8497
PERRONNEAU, Jean-Baptiste
Madame de Sorquainville af
1749 Oil on canvas, 101 x 81 cm Mus??e du Louvre, Paris

   
   
     

PERRONNEAU, Jean-Baptiste Portrait of Jacques Cazotte af oil painting


Portrait of Jacques Cazotte af
Painting ID::  8498
PERRONNEAU, Jean-Baptiste
Portrait of Jacques Cazotte af
1760-64 Oil on canvas, 92 x 73 cm National Gallery, London

   
   
     

PERRONNEAU, Jean-Baptiste Portrait of Charles le Normant du Coudray af oil painting


Portrait of Charles le Normant du Coudray af
Painting ID::  8499
PERRONNEAU, Jean-Baptiste
Portrait of Charles le Normant du Coudray af
Oil on canvas, 62 x 48 cm Mus??e Cognacq-Jay, Paris

   
   
     

PERRONNEAU, Jean-Baptiste A Girl with a Kitten oil painting


A Girl with a Kitten
Painting ID::  19827
PERRONNEAU, Jean-Baptiste
A Girl with a Kitten
1745 Pastel National Gallery, London.

   
   
     

PERRONNEAU, Jean-Baptiste Antoine Le Moyne oil painting


Antoine Le Moyne
Painting ID::  19828
PERRONNEAU, Jean-Baptiste
Antoine Le Moyne
1747 Pastel.

   
   
     

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     PERRONNEAU, Jean-Baptiste
     French Rococo Era Painter, ca.1715-1783 French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,

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