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PALMA GIOVANE Mars and Venus oil painting


Mars and Venus
Painting ID::  31363
PALMA GIOVANE
Mars and Venus
nn07 probably 1585-90

   
   
     

PALMA GIOVANE Recreation by our Gallery oil painting


Recreation by our Gallery
Painting ID::  32583
PALMA GIOVANE
Recreation by our Gallery
mk79 About 1580

   
   
     

PALMA GIOVANE Recreation by our Gallery oil painting


Recreation by our Gallery
Painting ID::  32601
PALMA GIOVANE
Recreation by our Gallery
mk79 1610-1615

   
   
     

PALMA GIOVANE Portrait of a Sculptor oil painting


Portrait of a Sculptor
Painting ID::  39597
PALMA GIOVANE
Portrait of a Sculptor
mk150 c.1600 Canvas 62x48.5cm

   
   
     

PALMA GIOVANE Mars,Venus and Cupid oil painting


Mars,Venus and Cupid
Painting ID::  43066
PALMA GIOVANE
Mars,Venus and Cupid
mk170-1585-1590 Oil on canvas 130.9x165.6cm

   
   
     

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     PALMA GIOVANE
     Italian Mannerist Painter, ca.1548-1628 Son of Antonio Palma. A greater artist than his father, his vast oeuvre represents the impact of central Italian Mannerism but principally of Jacopo Tintoretto on Venetian painting in the generation after Titian, Tintoretto and Paolo Veronese. He died in his late seventies and was occasionally referred to as 'il vecchio', but since the 17th century he has been known as 'il giovane' to distinguish him from his great uncle. He was virtually self-taught, apart from a presumed acquaintance with his father's workshop. In 1567 he came to the attention of Guidobaldo II della Rovere, Duke of Urbino, who was to support him for four years. A possible knowledge of Federico Barocci's art at the court of Urbino left little trace on his surviving early works. The Duke sent him to Rome for study, where he spent a few months apprenticed to an unknown artist. There his sympathy was with Taddeo Zuccaro and Federico Zuccaro, who influenced the graphic style of the drawing of Matteo da Lecce (1568; New York, Pierpont Morgan Lib.), his first dated work. His Roman sojourn, which lasted until c. 1573-4, made a direct impact on some of his Venetian works and indirectly made him receptive to Tintoretto's style. A tendency in Rome in the 1560s to retreat from the most artificial and decorative aspects of Mannerism in favour of naturalism was also to affect Palma's attitude to style in his mature works

     Related Artists::.
     | Marin, John | MEMLING, Hans | Dieric Bouts |


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