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Nicolas de Largilliere Nature morte a l aiguiere oil painting


Nature morte a l aiguiere
Painting ID::  77475
Nicolas de Largilliere
Nature morte a l aiguiere
Nature morte ?? l'aigui??re (vers 1725) - Huile sur toile, collection particuli??re de Georges de Lastic cyf

   
   
     

Nicolas de Largilliere Portrait of Charles-Armand de Gontaut, duc de Biron oil painting


Portrait of Charles-Armand de Gontaut, duc de Biron
Painting ID::  77508
Nicolas de Largilliere
Portrait of Charles-Armand de Gontaut, duc de Biron
1714(1714) Oil on canvas cjr

   
   
     

Nicolas de Largilliere portrait oil painting


portrait
Painting ID::  77662
Nicolas de Largilliere
portrait
1707(1707) Medium Oil on canvas Dimensions 92.7 ?? 73 cm (36.5 ?? 28.7 in) cyf

   
   
     

Nicolas de Largilliere Portrait of a lady with a dog and monkey oil painting


Portrait of a lady with a dog and monkey
Painting ID::  78185
Nicolas de Largilliere
Portrait of a lady with a dog and monkey
1700-1710 Medium Oil on canvas Dimensions 135 x 106 cm (53.1 x 41.7 in) cyf

   
   
     

Nicolas de Largilliere Portrait of Jean Baptiste Forest oil painting


Portrait of Jean Baptiste Forest
Painting ID::  78471
Nicolas de Largilliere
Portrait of Jean Baptiste Forest
1704(1704) Medium Oil on canvas Dimensions Length: 96 cm (37.8 in). Height: 128.5 cm (50.6 in). cyf

   
   
     

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     Nicolas de Largilliere
     1656-1746 French Nicolas de Largilliere Gallery Nicolas de Largilli??re (October 10, 1656 - March 20, 1746), French painter, was born in Paris. His father, a merchant, took him to Antwerp at the age of three. As a boy, he spent nearly two years in London. Sometime after his return to Antwerp, a failed attempt at business led him to the studio of Goubeau. However, Largilli??re left at the age of eighteen to seek his fortune in England, where he was befriended and employed by Lely, for four years at Windsor. His skills attracted Charles II, who wished to retain him in his service, but the fury aroused by the Rye House Plot against Roman Catholics alarmed Largilli??re. He left for Paris where he was well received by Le Brun and Van der Meulen. Despite his Flemish training as a portrait-painter, his reputation was soon established. Largilli??re's brilliant colour and lively touch attracted celebrities of his day??actresses, public men and popular preachers flocked to his studio. President Lambert, with his beautiful wife and daughter, were among his most noted subjects.

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