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NOVELLI, Pietro Cain and Abel she oil painting


Cain and Abel she
Painting ID::  8366
NOVELLI, Pietro
Cain and Abel she
Oil on canvas, 198 x 147 cm Galleria Nazionale d'Arte Antica, Rome

   
   
     

NOVELLI, Pietro Our Lady of Mount Carmel af oil painting


Our Lady of Mount Carmel af
Painting ID::  8367
NOVELLI, Pietro
Our Lady of Mount Carmel af
1641 Oil on canvas Museo Diocesano, Palermo

   
   
     

NOVELLI, Pietro Marriage of the Virgin wy oil painting


Marriage of the Virgin wy
Painting ID::  8368
NOVELLI, Pietro
Marriage of the Virgin wy
1647 Oil on canvas S. Matteo, Palermo

   
   
     

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     NOVELLI, Pietro
     Italian Baroque Era Painter, 1603-1647 Italian painter. He trained with his father, Pietro Antonio Novelli (1568-1625), a painter and mosaicist, then in 1618 in Palermo with Vito Carrera (1555-1623). He also studied perspective with the mathematician Carlo Maria Ventimiglia. Paolini (1980) suggested that in his early years Novelli may have contributed, with Domenico Fiasella and Nicolas Tournier, to a cycle of paintings in the oratory of S Stefano in Palermo and that he made a first journey to Rome between 1622 and 1625. His first dated work is from 1626: St Anthony Abbot (Palermo, S Antonio Abate). The development of his style owed much to Anthony van Dyck, who visited Sicily in 1624 and whose altarpiece, the Madonna of the Rosary (Palermo, oratory of S Maria del Rosario), was of fundamental importance to Novelli. Van Dyck's influence, which remained with Novelli throughout his career, is most apparent in the Death of the Just Man (Palermo, Gal. Reg. Sicilia), the Apparition of the Virgin to St Andrea Corsini (1630; Palermo, Chiesa del Carmine) and the Coronation of the Virgin

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