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Cain and Abel she Painting ID:: 8366
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Cain and Abel she Oil on canvas, 198 x 147 cm
Galleria Nazionale d'Arte Antica, Rome Oil_on_canvas,_198_x_147_cm
Galleria_Nazionale_d'Arte_Antica,_Rome
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Our Lady of Mount Carmel af Painting ID:: 8367
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Our Lady of Mount Carmel af 1641
Oil on canvas
Museo Diocesano, Palermo 1641
Oil_on_canvas
Museo_Diocesano,_Palermo
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Marriage of the Virgin wy Painting ID:: 8368
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Marriage of the Virgin wy 1647
Oil on canvas
S. Matteo, Palermo 1647
Oil_on_canvas
S._Matteo,_Palermo
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NOVELLI, Pietro
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Italian Baroque Era Painter, 1603-1647
Italian painter. He trained with his father, Pietro Antonio Novelli (1568-1625), a painter and mosaicist, then in 1618 in Palermo with Vito Carrera (1555-1623). He also studied perspective with the mathematician Carlo Maria Ventimiglia. Paolini (1980) suggested that in his early years Novelli may have contributed, with Domenico Fiasella and Nicolas Tournier, to a cycle of paintings in the oratory of S Stefano in Palermo and that he made a first journey to Rome between 1622 and 1625. His first dated work is from 1626: St Anthony Abbot (Palermo, S Antonio Abate). The development of his style owed much to Anthony van Dyck, who visited Sicily in 1624 and whose altarpiece, the Madonna of the Rosary (Palermo, oratory of S Maria del Rosario), was of fundamental importance to Novelli. Van Dyck's influence, which remained with Novelli throughout his career, is most apparent in the Death of the Just Man (Palermo, Gal. Reg. Sicilia), the Apparition of the Virgin to St Andrea Corsini (1630; Palermo, Chiesa del Carmine) and the Coronation of the Virgin |
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Related Artists::. | Theodore Ravanat | BRUEGHEL, Pieter the Younger | VALKENBORCH, Lucas van | |
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